Christ Healing the Blind, El Greco (Domenikos Theotokopoulos)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass
73C41
Holder's headings
Men, Women, Christ
Wikidata depicts
woman, man, Christ

Means

No reading yet.

Rights

Credit
Gift of Mr. and Mrs. Charles Wrightsman, 1978
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 436572 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/436572
Christ Healing the Blind, El Greco (Domenikos Theotokopoulos)
Christ Healing the Blind — El Greco (Domenikos Theotokopoulos)ca. 1570

Also by El Greco (Domenikos Theotokopoulos)

3
View of Toledo, El Greco (Domenikos Theotokopoulos)
View of ToledoEl Greco (Domenikos Theotokopoulos)ca. 1599–1600Metropolitan Museum of Art, New York, NY
The Adoration of the Shepherds, El Greco (Domenikos Theotokopoulos)
The Adoration of the ShepherdsEl Greco (Domenikos Theotokopoulos)ca. 1605–10Metropolitan Museum of Art, New York, NY
The Vision of Saint John, El Greco (Domenikos Theotokopoulos)
The Vision of Saint JohnEl Greco (Domenikos Theotokopoulos)ca. 1608–14Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1570

488
Allegory: Combat of Animals in the Presence of Man with Shield, Master of the Beheading of St. John the Baptist
Allegory: Combat of Animals in the Presence of Man with ShieldMaster of the Beheading of St. John the Baptist1515/20The Art Institute of Chicago
Allegorical Theme: Combat of Animals, Master of the Beheading of St. John the Baptist (Italian); Leonardo da Vinci (Italian, 1452-1519)
Allegorical Theme: Combat of AnimalsMaster of the Beheading of St. John the Baptist (Italian); Leonardo da Vinci (Italian, 1452-1519)c. 1515–20Cleveland Museum of Art
The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Triumph of MordecaiLucas van Leyden (Netherlandish, 1494–about 1533)1515Cleveland Museum of Art
'Saz'-Style Drawing of a Dragon Amid Foliage, Shah Quli
'Saz'-Style Drawing of a Dragon Amid FoliageShah Qulica. 1540–50Metropolitan Museum of Art, New York, NY
Garden for Solitary Enjoyment, Qiu Ying (Chinese, 1494–1552)
Garden for Solitary EnjoymentQiu Ying (Chinese, 1494–1552)1515–52Cleveland Museum of Art
Entombment of Christ, Unknown
Entombment of ChristUnknownca. 1515Metropolitan Museum of Art, New York, NY
The Annunciation, Unknown
The AnnunciationUnknown1516.Library of Congress
Sebastian Andorfer (1469–1537), Hans Maler
Sebastian Andorfer (1469–1537)Hans Maler1517Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

688
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Adoration of the Shepherds, Andrea Mantegna
The Adoration of the ShepherdsAndrea Mantegnashortly after 1450Metropolitan Museum of Art, New York, NY
0.85
The Abduction of the Sabine Women, Nicolas Poussin
The Abduction of the Sabine WomenNicolas Poussinprobably 1633–34Metropolitan Museum of Art, New York, NY
0.84
The Sacrifice of Isaac, Paolo Veronese
The Sacrifice of IsaacPaolo Veronese1585Museo del Prado
0.84
The Denial of Saint Peter, Ludovico Carracci
The Denial of Saint PeterLudovico Carraccica. 1616Metropolitan Museum of Art, New York, NY
0.84
The Holy Family with Saint John the Baptist, Nicolas Poussin
The Holy Family with Saint John the BaptistNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
0.84
The Holy Family on the Steps, Follower of Nicolas Poussin
The Holy Family on the StepsFollower of Nicolas Poussin1648National Gallery of Art
0.84
The Capture of Samson, Peter Paul Rubens
The Capture of SamsonPeter Paul Rubens1609–10The Art Institute of Chicago
0.83
The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747)
The Risen Christ Appearing to the VirginFrancesco Solimena (Italian, 1657–1747)c. 1708Cleveland Museum of Art
0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    For one thing, the idea goes back behind Michelangelo to Signorelli, and in his case, at least, one can see no trace of any preoccupation with those psychological states, but rather a pure passion for a particular kind of rhythmic design. Moreover, the general principle of the continued enlargement of the unit of design was bound to occur the moment artists recovered from the debauch of naturalism of the fifteenth century and became conscious again of the demands of abstract design. In trying thus to place El Greco’s art in
    0.68

Next

Made in the sixteenth century, like Christ Healing the Blind.

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