The Holy Family with Saint John the Baptist — Nicolas Poussin, ca. 1627

The Holy Family with Saint John the Baptist, Nicolas Poussin

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Infants, Holy Family, Madonna and Child, Saint John the Baptist
Wikidata depicts: infant, John the Baptist, Holy Family, Madonna and Child

Means

No reading yet.

Rights

Credit: Bequest of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann, 1996
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 438025 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/438025

Also by Nicolas Poussin

16

Bacchanal, Nicolas Poussin — BacchanalNicolas Poussinca. 1635–36Metropolitan Museum of Art, New York, NY

Birth of Alexander, Nicolas Poussin — Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago

Drunken Silenus Satyr and Nymphs, Nicolas Poussin — Drunken Silenus Satyr and NymphsNicolas Poussinn.d.The Art Institute of Chicago

Man Kneeling With Jug (recto); Standing Man (verso), Nicolas Poussin — Man Kneeling With Jug (recto); Standing Man (verso)Nicolas Poussinn.d.The Art Institute of Chicago

Midas Washing at the Source of the Pactolus, Nicolas Poussin — Midas Washing at the Source of the PactolusNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY

The Agony in the Garden, Nicolas Poussin — The Agony in the GardenNicolas Poussin1626–27Metropolitan Museum of Art, New York, NY

The Companions of Rinaldo, Nicolas Poussin — The Companions of RinaldoNicolas Poussinca. 1633Metropolitan Museum of Art, New York, NY

The Assumption of the Virgin, Nicolas Poussin — The Assumption of the VirginNicolas Poussinc. 1630/1632National Gallery of Art

Within fifty years of ca. 1627

901

Mercurii Trismegisti Pimandras utraque lingua restitutus, Hermes — Mercurii Trismegisti Pimandras utraque lingua restitutusHermes1574Stiftung der Werke von C.G.Jung, Zürich

Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ..., Thurneysser zum Thurn, Leonhardt — Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ...Thurneysser zum Thurn, Leonhardt1574Stiftung der Werke von C.G.Jung, Zürich

Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ..., Bernardus — Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ...Bernardus1574Stiftung der Werke von C.G.Jung, Zürich

Door Boss: Bust of a Satyress, Northern Italian — Door Boss: Bust of a SatyressNorthern Italianc. 1580The Art Institute of Chicago

One of the Set of the Four Evangelists: Mark, Alessandro Vittoria — One of the Set of the Four Evangelists: MarkAlessandro VittoriaModeled c. 1580The Art Institute of Chicago

Sacrifice of Noah, Bernard Salomon — Sacrifice of NoahBernard Salomonca. 1580–1610Metropolitan Museum of Art, New York, NY

Collar (Made from Border), Italy — Collar (Made from Border)Italy1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1625The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

674

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Return of the Holy Family to Nazareth, Nicolas Poussin (French, 1594–1665) — The Return of the Holy Family to NazarethNicolas Poussin (French, 1594–1665)c. 1627Cleveland Museum of Art

0.90

The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747) — The Risen Christ Appearing to the VirginFrancesco Solimena (Italian, 1657–1747)c. 1708Cleveland Museum of Art

0.90

Nymphs Feeding the Child Jupiter, Follower of Nicolas Poussin — Nymphs Feeding the Child JupiterFollower of Nicolas Poussinc. 1650National Gallery of Art

0.89

The Holy Family on the Steps, Follower of Nicolas Poussin — The Holy Family on the StepsFollower of Nicolas Poussin1648National Gallery of Art

0.88

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán — Battle between Christians and Muslims at El SotilloFrancisco de Zurbaránca. 1637–39Metropolitan Museum of Art, New York, NY

0.88

The Holy Family on the Steps, Nicolas Poussin (French, 1594–1665) — The Holy Family on the StepsNicolas Poussin (French, 1594–1665)1648Cleveland Museum of Art

0.87

The Denial of Saint Peter, Ludovico Carracci — The Denial of Saint PeterLudovico Carraccica. 1616Metropolitan Museum of Art, New York, NY

0.87

Midas Washing at the Source of the Pactolus, Nicolas Poussin — Midas Washing at the Source of the PactolusNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY

0.87

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Nicolas Poussin made The Holy Family with Saint John the Baptist, and made these too.

Made in the seventeenth century, like The Holy Family with Saint John the Baptist.

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