De' ragguagli di Parnaso: Centuria prima-seconda, Johannes Blaeu

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Gift of Jayne Wrightsman, 2008
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 681546 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/681546
De' ragguagli di Parnaso: Centuria prima-seconda, Johannes Blaeu
De' ragguagli di Parnaso: Centuria prima-seconda — Johannes Blaeu1669

Within fifty years of 1669

1138
The Resurrection, Cecco del Caravaggio
The ResurrectionCecco del Caravaggioc. 1619-20The Art Institute of Chicago
Wasserstein der Weysen, das ist ein chymisch Tractätlein, darin der Weg gezeiget, die Materia genennet und der Process beschrieben wird, zu dem hohen Geheymnuss der universal Tinctur zukommen vor disem niemalen gesehen ..., Siebmacher, Johann
Wasserstein der Weysen, das ist ein chymisch Tractätlein, darin der Weg gezeiget, die Materia genennet und der Process beschrieben wird, zu dem hohen Geheymnuss der universal Tinctur zukommen vor disem niemalen gesehen ...Siebmacher, Johann1619Stiftung der Werke von C.G.Jung, Zürich
Five Borders, Italy, Genoa
Five BordersItaly, Genoa1620/40The Art Institute of Chicago
The Abduction of Helen from a set of The Story of Troy, Bernard Salomon
The Abduction of Helen from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY
The Sacrifice of Polyxena from a set of The Story of Troy, Bernard Salomon
The Sacrifice of Polyxena from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY
The Prophecy of Calchas from a set of The Story of Troy, Bernard Salomon
The Prophecy of Calchas from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY
Drawing, Leonardo Scaglia, Italian, 1640 – 1650
DrawingLeonardo Scaglia, Italian, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

687
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Catalogue of the Collection of Jewels and Precious Works of Art, the Property of  J. Pierpont Morgan, George Charles Williamson
Catalogue of the Collection of Jewels and Precious Works of Art, the Property of J. Pierpont MorganGeorge Charles Williamson1910Metropolitan Museum of Art, New York, NY
0.88
Textile, Unknown
TextileUnknown17th centuryCooper Hewitt, Smithsonian Design Museum
0.86
Biblia, Paulus Aertsz van Ravesteyn, Netherlandish, 1609 - 1655
BibliaPaulus Aertsz van Ravesteyn, Netherlandish, 1609 - 16551628Cooper Hewitt, Smithsonian Design Museum
0.86
Sidewall, Liberty Wall Paper Company, Schuylerville, New York
SidewallLiberty Wall Paper Company, Schuylerville, New York1905–1912Cooper Hewitt, Smithsonian Design Museum
0.86
Card case, Unknown
Card caseUnknownmid-19th centuryCooper Hewitt, Smithsonian Design Museum
0.86
Textile, Unknown
TextileUnknown1785–95Cooper Hewitt, Smithsonian Design Museum
0.85

Next

Made in the seventeenth century, like De' ragguagli di Parnaso: Centuria prima-seconda.

0:00–0:00