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Bonad — Unknown1774–1825Also by Unknown
5442
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYWithin fifty years of 1774–1825
2182
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, RomeSzymon Czechowicz, Polish, 1689 - 17751724–1725Cooper Hewitt, Smithsonian Design Museum
Fan (Vernis Martin Type)FranceLouis XV period (1715–1774), 1725–1774The Art Institute of Chicago
Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago
Proscenium and Plan for a StageUnknown, Italian1725–50Cooper Hewitt, Smithsonian Design Museum
Design for a Painting, Five PuttiJacob de Wit, 1695 – 17541725–1754Cooper Hewitt, Smithsonian Design Museum
The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY
PlateSalvator Rosaca. 1733–37Metropolitan Museum of Art, New York, NY
Design for an OrnamentCarlo Marchionni, Italian, 1702–17861728–1778Cooper Hewitt, Smithsonian Design MuseumAlso at Cooper Hewitt, Smithsonian Design Museum
3307
Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum
Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum
Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum
Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum
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Made in the eighteenth century, like Bonad.
