Plate, Salvator Rosa

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Men, Trees

Means

No reading yet.


Rights

Credit
Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1950
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 200801 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/200801
Plate, Salvator Rosa
Plate — Salvator Rosaca. 1733–37

Also by Salvator Rosa

3
Two warriors, one seated asleep on a foreground rock, from Figurine series, Salvator Rosa
Two warriors, one seated asleep on a foreground rock, from Figurine seriesSalvator Rosan.d.The Art Institute of Chicago
The Dream of Aeneas, Salvator Rosa
The Dream of AeneasSalvator Rosa1660–65Metropolitan Museum of Art, New York, NY
The Fall of the Giants, Salvator Rosa
The Fall of the GiantsSalvator Rosa1663The Art Institute of Chicago

Within fifty years of ca. 1733–37

2012
Decorations by Lebrun and Mignard at the Palace of Versailles, Unknown
Decorations by Lebrun and Mignard at the Palace of VersaillesUnknownca. 1678Cooper Hewitt, Smithsonian Design Museum
Le  pilote de l'onde vive, ou le secret du flux et reflux de la mer ..., Eyquem du Martineau, Mathurin
Le pilote de l'onde vive, ou le secret du flux et reflux de la mer ...Eyquem du Martineau, Mathurin1678Stiftung der Werke von C.G.Jung, Zürich
Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum, Unknown
Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatumUnknown1678Stiftung der Werke von C.G.Jung, Zürich, online
Athanasii Kircheri ... Mundus subterraneus in XII libros digestus, Kircher, Athanasius
Athanasii Kircheri ... Mundus subterraneus in XII libros digestusKircher, Athanasius1678Stiftung der Werke von C.G.Jung, Zürich, online
LE CHASTEAU DE MEUDON, Adam Perelle, French, 1638 – 1695
LE CHASTEAU DE MEUDONAdam Perelle, French, 1638 – 16951679–1691Cooper Hewitt, Smithsonian Design Museum
MEUDON du côté du Jardin, Adam Perelle, French, 1638 – 1695
MEUDON du côté du JardinAdam Perelle, French, 1638 – 16951679–1703Cooper Hewitt, Smithsonian Design Museum
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt
Small desk with folding top (bureau brisé)Alexandre-Jean Oppenordtca. 1685Metropolitan Museum of Art, New York, NY
Trade card of Louis Roupert, master goldsmith of Metz, Louis Cossin, French, 1627 - 1704
Trade card of Louis Roupert, master goldsmith of MetzLouis Cossin, French, 1627 - 17041680Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

669
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Plate, Olérys-Laugier Factory, France, founded 1738
PlateOlérys-Laugier Factory, France, founded 1738ca 1750Cooper Hewitt, Smithsonian Design Museum
0.84
Dish, Olérys-Laugier Factory, France, founded 1738
DishOlérys-Laugier Factory, France, founded 1738ca. 1775Cooper Hewitt, Smithsonian Design Museum
0.84
Dinner Plate, Chinese export porcelain
Dinner PlateChinese export porcelain1796–1810The Art Institute of Chicago
0.84
Plate, Unknown
PlateUnknown19th centuryCooper Hewitt, Smithsonian Design Museum
0.84
Plate, Unknown
PlateUnknownca 1760Cooper Hewitt, Smithsonian Design Museum
0.83

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