No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" — Utagawa Hiroshige, c. 1835/38

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige

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Credit: Gift of H. R. Warner. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 11050 (read 2026-08-27)
Record: https://www.artic.edu/artworks/11050
IIIF: manifest

Also by Utagawa Hiroshige

18

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Weeping Cherry, Utagawa Hiroshige — Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Small View of Yedo, Utagawa Hiroshige — Small View of YedoUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Boat on the Sumida, Utagawa Hiroshige — Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Within fifty years of c. 1835/38

3752

Winter Scene, Francisco José de Goya y Lucientes — Winter SceneFrancisco José de Goya y Lucientesc. 1786The Art Institute of Chicago

Obelisk clock with a Franklin movement, David Roentgen — Obelisk clock with a Franklin movementDavid Roentgenca. 1785–90Metropolitan Museum of Art, New York, NY

Bill Poster, Carle Vernet (French, 1758–1836) — Bill PosterCarle Vernet (French, 1758–1836)c. 1780–1836Cleveland Museum of Art

Ier CAHIER DE CHIFFRES Inventés par Ranson, Pierre Ranson, French, 1736–1786 — Ier CAHIER DE CHIFFRES Inventés par RansonPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

Decorative Monogram Design: Letter F, Pierre Ranson, French, 1736–1786 — Decorative Monogram Design: Letter FPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

Textile, Jean-Baptiste Huet, French, 1745 – 1811 — TextileJean-Baptiste Huet, French, 1745 – 18111780–1790Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1780–1790Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

580

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

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Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

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Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige (Japanese, 1797–1858)c. 1848–50Cleveland Museum of Art

0.90

Bathing in the Sea (Kaisuiyoku), Gyosei Shuntei — Bathing in the Sea (Kaisuiyoku)Gyosei Shunteidated 1898Metropolitan Museum of Art, New York, NY

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Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.88

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.88

Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, Katsushika Hokusai (Japanese, 1760–1849) — Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai (Japanese, 1760–1849)1835–36Cleveland Museum of Art

0.88

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

0.88

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.87

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.87

Next

Utagawa Hiroshige made No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", and made these too.

Made in the nineteenth century, like No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)".

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