The Wayfarer Crowned by Happiness from The Table of Cebes — David Kandel, 1550–80

The Wayfarer Crowned by Happiness from The Table of Cebes, David Kandel

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Fountains, Men, Women, Crowns

Means

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Rights

Credit: Bequest of Anne Archbold, 1969
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 229285 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/229285

Within fifty years of 1550–80

492

Salvator Mundi, Albrecht Dürer — Salvator MundiAlbrecht Dürerca. 1505Metropolitan Museum of Art, New York, NY

Man of Sorrows with Arms Outstretched, Albrecht Dürer — Man of Sorrows with Arms OutstretchedAlbrecht Dürerca. 1500Metropolitan Museum of Art, New York, NY

Giuliano de' Medici (1479–1516), Duke of Nemours, Raphael — Giuliano de' Medici (1479–1516), Duke of NemoursRaphaelMetropolitan Museum of Art, New York, NY

Joanna of Aragon, Raphael — Joanna of AragonRaphaeln.d.The Art Institute of Chicago

Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, Swiss Painter — Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of PraenesteSwiss Painterca. 1500–1505Metropolitan Museum of Art, New York, NY

Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning Wheat, Swiss Painter — Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning WheatSwiss Painterca. 1500–1505Metropolitan Museum of Art, New York, NY

Father Time, Italian — Father TimeItalian1500–1600The Art Institute of Chicago

The Martyrdom of Saint Sebastian, Hans Baldung Grien — The Martyrdom of Saint SebastianHans Baldung Grien1505/07The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

678

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), Unknown — Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)Unknown1500–1520Metropolitan Museum of Art, New York, NY

0.87

The Sacrifice of Polyxena from a set of The Story of Troy, Bernard Salomon — The Sacrifice of Polyxena from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

0.86

Altar Frontal: Scenes from the Childhood of Christ, Unknown — Altar Frontal: Scenes from the Childhood of ChristUnknownc. 1500Cleveland Museum of Art

0.86

The Last Supper, Bernard van Orley — The Last SupperBernard van Orleyca. 1525–28Metropolitan Museum of Art, New York, NY

0.85

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and HerseGiovanni Battista Lodi da Cremonadesigned ca. 1540, woven ca. 1570Metropolitan Museum of Art, New York, NY

0.84

Embroidered picture, Unknown — Embroidered pictureUnknownlate 17th centuryCooper Hewitt, Smithsonian Design Museum

0.84

The Abduction of Helen from a set of The Story of Troy, Bernard Salomon — The Abduction of Helen from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

0.84

Gothic Revival design with landscape vignette, Unknown — Gothic Revival design with landscape vignetteUnknown1840sCooper Hewitt, Smithsonian Design Museum

0.84

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Made in the sixteenth century, like The Wayfarer Crowned by Happiness from The Table of Cebes.

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