Portrait of a Young Man — Bronzino (Agnolo di Cosimo di Mariano), 1530s

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Portraits
Wikidata depicts: man, portrait

Means

No reading yet.

Rights

Credit: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 435802 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/435802

Within fifty years of 1530s

426

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci — Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci1480–85Metropolitan Museum of Art, New York, NY

Virgin and Child, Hans Memling — Virgin and ChildHans Memlingc. 1485The Art Institute of Chicago

Portrait of a Donor (recto); Saint Anthony of Padua (verso), Hans Memling — Portrait of a Donor (recto); Saint Anthony of Padua (verso)Hans Memlingc. 1485The Art Institute of Chicago

Candelabrum as part of a decoration, Unknown — Candelabrum as part of a decorationUnknown1480–1500Cooper Hewitt, Smithsonian Design Museum

Candelabrum as part of decoration, Unknown — Candelabrum as part of decorationUnknownca. 1480–1500Cooper Hewitt, Smithsonian Design Museum

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, Martin de Soria — Saint Christopher Meets Satan; Saint Christopher before the King of LyciaMartin de Soria1480–85The Art Institute of Chicago

Left side of a double-page album folio: Outside a Royal Encampment (recto), Bihzad (Iranian, active 1470–1506) — Left side of a double-page album folio: Outside a Royal Encampment (recto)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art

The Annunciation, Hans Memling — The AnnunciationHans Memling1480–89Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

686

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Philip IV (1605–1665), King of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) — Philip IV (1605–1665), King of SpainVelázquez (Diego Rodríguez de Silva y Velázquez)probably 1624Metropolitan Museum of Art, New York, NY

0.85

Portrait of the Jester Calabazas, Diego Velázquez (Spanish, 1599–1660) — Portrait of the Jester CalabazasDiego Velázquez (Spanish, 1599–1660)c. 1631–32Cleveland Museum of Art

0.85

Next

Made in the sixteenth century, like Portrait of a Young Man.

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