The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)

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Credit
Gift of Mrs. Ralph King
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 111007 (read 2026-08-27)
Record
https://clevelandart.org/art/1929.50
The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Triumph of Mordecai — Lucas van Leyden (Netherlandish, 1494–about 1533)1515

Also by Lucas van Leyden (Netherlandish, 1494–about 1533)

2
Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)
Return of the Prodigal SonLucas van Leyden (Netherlandish, 1494–about 1533)c. 1510Cleveland Museum of Art
The Power of Women: Samson and Delilah, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Power of Women: Samson and DelilahLucas van Leyden (Netherlandish, 1494–about 1533)c. 1512Cleveland Museum of Art

Within fifty years of 1515

395
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY
A Bridal Couple, Unknown
A Bridal CoupleUnknownc. 1470Cleveland Museum of Art
The Flight into Egypt, Martin Schongauer (German, c. 1450–1491)
The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)
The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY
The Lamentation of Christ, Simon Marmion
The Lamentation of ChristSimon Marmionca. 1473Metropolitan Museum of Art, New York, NY
Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)
Altar Frontal with the LamentationCosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Cleveland Museum of Art

Also at Cleveland Museum of Art

547
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)
Return of the Prodigal SonLucas van Leyden (Netherlandish, 1494–about 1533)c. 1510Cleveland Museum of Art
0.91
Joseph Sold by his Brothers, Master of the Die
Joseph Sold by his BrothersMaster of the Die1533The Art Institute of Chicago
0.91
Christ Carrying the Cross, Martin Schongauer (German, c. 1450–1491)
Christ Carrying the CrossMartin Schongauer (German, c. 1450–1491)1475–90Cleveland Museum of Art
0.88
The Battle around the Shield and Lance, Giovanni Jacopo Caraglio
The Battle around the Shield and LanceGiovanni Jacopo Caraglioc. 1527The Art Institute of Chicago
0.88
Ammon Begs the King to Summon his Sister Thamar, Martin Van Heemskerk, Netherlandish, 1498 - 1574
Ammon Begs the King to Summon his Sister ThamarMartin Van Heemskerk, Netherlandish, 1498 - 15741559Cooper Hewitt, Smithsonian Design Museum
0.87
The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.
The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV.Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.1605.Library of Congress
0.87
Calvary, Albrecht Dürer
CalvaryAlbrecht Dürerc. 1503–04The Art Institute of Chicago
0.87
Samson Overcome by the Philistines, Johan Joseph Zoffany
Samson Overcome by the PhilistinesJohan Joseph Zoffanyca. 1758Yale Center for British Art
0.87

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.71

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Made in the sixteenth century, like The Triumph of Mordecai.

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