Textile — Unknown, ca. 1784

Textile, Unknown

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Credit: Elinor Merrell
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1980-34-5 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/167055

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1784

2251

Title Page, Pierre Filloeul, French, b. 1696–after 1754 — Title PagePierre Filloeul, French, b. 1696–after 17541734Cooper Hewitt, Smithsonian Design Museum

Ornament Designs, Abraham Badollet, French, active eightenth century — Ornament DesignsAbraham Badollet, French, active eightenth century1734Cooper Hewitt, Smithsonian Design Museum

Design for Ornament, Plate 17, Second Livre de tableaux d'ornemens et rocailles, Jacques de Lajoüe, French, 1687–1761 — Design for Ornament, Plate 17, Second Livre de tableaux d'ornemens et rocaillesJacques de Lajoüe, French, 1687–1761ca. 1734Cooper Hewitt, Smithsonian Design Museum

Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet, Warsaw, Poland, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet, Warsaw, PolandJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501734Cooper Hewitt, Smithsonian Design Museum

Das edele Perlein und theurer Schatz der himmlischen Weisheit; in zwölff königlichen Palästen vorgestellet und beschrieben; nemlich wie der Stein der Weisen ... gemacht und bereitet werde : nebst einem Anhang und Anweisung vom Chaos, daraus alles herkommt, so zu unserer Kunst gehöret : samt einem Gespräche um vieler Ursachen willen genöthiget worden, solches heraus zu geben ..., Fictuld, Hermann — Das edele Perlein und theurer Schatz der himmlischen Weisheit; in zwölff königlichen Palästen vorgestellet und beschrieben; nemlich wie der Stein der Weisen ... gemacht und bereitet werde : nebst einem Anhang und Anweisung vom Chaos, daraus alles herkommt, so zu unserer Kunst gehöret : samt einem Gespräche um vieler Ursachen willen genöthiget worden, solches heraus zu geben ...Fictuld, Hermann1734Stiftung der Werke von C.G.Jung, Zürich

Side table (one of a pair), Matthias Lock — Side table (one of a pair)Matthias Lockca. 1740Metropolitan Museum of Art, New York, NY

Views: The Canal Lock at Dolo, Antonio Canaletto (Italian, 1697–1768) — Views: The Canal Lock at DoloAntonio Canaletto (Italian, 1697–1768)1735–46Cleveland Museum of Art

Mary Hogarth, William Hogarth — Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art

Also at Cooper Hewitt, Smithsonian Design Museum

3276

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Textile, Unknown — TextileUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

0.94

Textile, Unknown — TextileUnknown1865Cooper Hewitt, Smithsonian Design Museum

0.94

Textile, Unknown — TextileUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum

0.92

Textile, Oberkampf & Cie., Jouy-en-Josas, France, 1759–1815 — TextileOberkampf & Cie., Jouy-en-Josas, France, 1759–1815ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.92

Textile, Unknown — TextileUnknownlate 19th–early 20th centuryCooper Hewitt, Smithsonian Design Museum

0.92

Textile, Unknown — TextileUnknown1805–1810Cooper Hewitt, Smithsonian Design Museum

0.91

Textile, Unknown — TextileUnknownlate 18th–early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.91

L'Escarpolette (Furnishing Fabric), Jean Baptiste Huet — L'Escarpolette (Furnishing Fabric)Jean Baptiste Huetc. 1789The Art Institute of Chicago

0.91

Next

Made in the eighteenth century, like Textile.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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