The Legislative Belly, Honoré Daumier (French, 1808–1879); Aubert

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Rights

Credit
Charles W. Harkness Endowment Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 104977 (read 2026-09-01)
Record
https://clevelandart.org/art/1923.206
The Legislative Belly, Honoré Daumier (French, 1808–1879); Aubert
The Legislative Belly — Honoré Daumier (French, 1808–1879); Aubert1834

Also by Honoré Daumier (French, 1808–1879); Aubert

2
The Nightmare, Honoré Daumier (French, 1808–1879); Aubert
The NightmareHonoré Daumier (French, 1808–1879); Aubert1832Cleveland Museum of Art
The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert
The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art

Within fifty years of 1834

3738
Pathfinder Illustration, Jakob Ernst Marcus
Pathfinder IllustrationJakob Ernst Marcusn.d.The Art Institute of Chicago
Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté, La Veuve Hérissant
Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa MajestéLa Veuve Hérissant1784Metropolitan Museum of Art, New York, NY
Textile, Unknown
TextileUnknownca. 1784Cooper Hewitt, Smithsonian Design Museum
Salesman's sample book, Unknown
Salesman's sample bookUnknown1784Cooper Hewitt, Smithsonian Design Museum
Von den Träumen und Nachtwandlern, Unknown
Von den Träumen und NachtwandlernUnknown1784Stiftung der Werke von C.G.Jung, Zürich, B Qa 1
Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularis, Nieupoort, Guillaume Henri
Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularisNieupoort, Guillaume Henri1784Stiftung der Werke von C.G.Jung, Zürich
Woodblock, Swaislands Fabric Printing Works
WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY
Woodblock, Swaislands Fabric Printing Works
WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

465
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Made in the nineteenth century, like The Legislative Belly.

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