The Drinkers, Honoré Daumier

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Men, Drinking
Wikidata depicts
man, drinking

Means

No reading yet.


Rights

Credit
Bequest of Margaret Seligman Lewisohn, in memory of her husband, Sam A. Lewisohn, 1954
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 436093 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/436093
The Drinkers, Honoré Daumier
The Drinkers — Honoré Daumierby 1861

Also by Honoré Daumier

5
Le Charivari, December 1, 1832–May 31, 1833, Honoré Daumier
Le Charivari, December 1, 1832–May 31, 1833Honoré DaumierDecember 1, 1832–May 31, 1833Metropolitan Museum of Art, New York, NY
The Connoisseur, Honoré Daumier
The ConnoisseurHonoré Daumierca. 1860–65Metropolitan Museum of Art, New York, NY
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857Honoré DaumierApril 18, 1857Metropolitan Museum of Art, New York, NY
The Laundress, Honoré Daumier
The LaundressHonoré Daumier186[3?]Metropolitan Museum of Art, New York, NY
The Third-Class Carriage, Honoré Daumier
The Third-Class CarriageHonoré Daumier1864Metropolitan Museum of Art, New York, NY

Within fifty years of by 1861

3874
Self-Portrait, Goya (Francisco de Goya y Lucientes)
Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY
A Sleeping Leopard, George Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806)
A Sleeping LeopardGeorge Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806)1791Cleveland Museum of Art
Textile, Unknown
TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum
COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine., Louis-Gustave Taraval, French, 1738 – 1794
COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine.Louis-Gustave Taraval, French, 1738 – 1794ca. 1791Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)
Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Mark Pringle, Sir William Beechey
Mark PringleSir William Beecheyc. 1797The Art Institute of Chicago
Two Elevations of a Palace, Giuseppe Barberi, Italian, 1746–1809
Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

481
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

In the stacks

Not yet checked
1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Made in the nineteenth century, like The Drinkers.

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