Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Couples, Men, Women, Walking

Means

No reading yet.

Rights

Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 648073 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/648073
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857 — Honoré DaumierApril 18, 1857

Also by Honoré Daumier

5
Le Charivari, December 1, 1832–May 31, 1833, Honoré Daumier
Le Charivari, December 1, 1832–May 31, 1833Honoré DaumierDecember 1, 1832–May 31, 1833Metropolitan Museum of Art, New York, NY
The Drinkers, Honoré Daumier
The DrinkersHonoré Daumierby 1861Metropolitan Museum of Art, New York, NY
The Connoisseur, Honoré Daumier
The ConnoisseurHonoré Daumierca. 1860–65Metropolitan Museum of Art, New York, NY
The Laundress, Honoré Daumier
The LaundressHonoré Daumier186[3?]Metropolitan Museum of Art, New York, NY
The Third-Class Carriage, Honoré Daumier
The Third-Class CarriageHonoré Daumier1864Metropolitan Museum of Art, New York, NY

Within fifty years of April 18, 1857

4344
Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832
Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1808Cooper Hewitt, Smithsonian Design Museum
Punch ladle, S A
Punch ladleS A1808Cooper Hewitt, Smithsonian Design Museum
Textile, Jean-Baptiste Huët, French, 1745–1811
TextileJean-Baptiste Huët, French, 1745–18111808Cooper Hewitt, Smithsonian Design Museum
Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827
Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

488
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857, Honoré-Victorin Daumier
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857Honoré-Victorin Daumier1857The Art Institute of Chicago
0.88
March Winds and April Showers, Winslow Homer, American, 1836–1910
March Winds and April ShowersWinslow Homer, American, 1836–1910April 2, 1859Cooper Hewitt, Smithsonian Design Museum
0.86
En chemin de fer / hD., Daumier, Honoré, 1808-1879, artist
En chemin de fer / hD.Daumier, Honoré, 1808-1879, artist[Paris] : Mon. Martinet, 172, r Rivoli et 41, r Vivienne, [1864 août 26] (Lith. Destouches, 28, r Paradis Pre.)Library of Congress
0.85
Around the Studios, Honoré Daumier (French, 1808–1879)
Around the StudiosHonoré Daumier (French, 1808–1879)1862Cleveland Museum of Art
0.84
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse, Honoré-Victorin Daumier
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De ChasseHonoré-Victorin Daumier1857The Art Institute of Chicago
0.83

In the stacks

Not yet checked1

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  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Made in the nineteenth century, like Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857.

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