En chemin de fer / hD., Daumier, Honoré, 1808-1879, artist

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Credit
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print
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PDM-1.0
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loc.gov item 2005680363: rights_advisory="No known restrictions on publication." (read 2026-09-01)
Record
https://www.loc.gov/item/2005680363/
En chemin de fer / hD., Daumier, Honoré, 1808-1879, artist
En chemin de fer / hD. — Daumier, Honoré, 1808-1879, artist[Paris] : Mon. Martinet, 172, r Rivoli et 41, r Vivienne, [1864 août 26] (Lith. Destouches, 28, r Paradis Pre.)

Also by Daumier, Honoré, 1808-1879, artist

5
Le ventre legislatif, 1834. Aspect des bancs ministériels de la chambre improstituée de 1834 / H. Daumier., Daumier, Honoré, 1808-1879, artist
Le ventre legislatif, 1834. Aspect des bancs ministériels de la chambre improstituée de 1834 / H. Daumier.Daumier, Honoré, 1808-1879, artistParis : Chez Aubert, galerie véro dodat 1834 (Paris : L. de Becquet, rue Furstemberg,6)Library of Congress
Rue Transnonain, le 15 Avril 1834 / H.D., Daumier, Honoré, 1808-1879, artist
Rue Transnonain, le 15 Avril 1834 / H.D.Daumier, Honoré, 1808-1879, artist1834.Library of Congress
Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD., Daumier, Honoré, 1808-1879, artist
Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD.Daumier, Honoré, 1808-1879, artist[Paris] : Au Bureau du Charivari, R. du Groissant 16, [ca. 1840] (Imp. d'Aubert & Cie.)Library of Congress
Le Factionnaire, Daumier, Honoré, 1808-1879, artist
Le FactionnaireDaumier, Honoré, 1808-1879, artist1843.Library of Congress
Le Jardin des Plantes à Pékin--Les Chinois admirant beaucoup un quadrupéd de France et un bipède du même pays ... / H.D. ; lith. Destouches., Daumier, Honoré, 1808-1879, artist
Le Jardin des Plantes à Pékin--Les Chinois admirant beaucoup un quadrupéd de France et un bipède du même pays ... / H.D. ; lith. Destouches.Daumier, Honoré, 1808-1879, artist[1854]Library of Congress

Within fifty years of [Paris] : Mon. Martinet, 172, r Rivoli et 41, r Vivienne, [1864 août 26] (Lith. Destouches, 28, r Paradis Pre.)

4306
Hampstead, Stormy Sky, Style of John Constable
Hampstead, Stormy SkyStyle of John Constable1814The Art Institute of Chicago
Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古;  酒宴即興踊独稽古(しゅえん そっきょう おどりひとりげいこ), Sanshōsai
Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえん そっきょう おどりひとりげいこ)Sanshōsai1814, first month (Bunka 11)Metropolitan Museum of Art, New York, NY
Decorative Studies; Verso: Barbarian Head in Profile from the Antique, Felice Giani, Italian, 1758–1823
Decorative Studies; Verso: Barbarian Head in Profile from the AntiqueFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
Decorative Study; Verso: Two Head Studies, Felice Giani, Italian, 1758–1823
Decorative Study; Verso: Two Head StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
Decorative Study; Verso: Anatomical Study, Felice Giani, Italian, 1758–1823
Decorative Study; Verso: Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
Eight Studies of Friezes and Candelabrum, Felice Giani, Italian, 1758–1823
Eight Studies of Friezes and CandelabrumFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
Four Decorative Studies of Ceilings; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823
Four Decorative Studies of Ceilings; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823
Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Also at Library of Congress

175
["A warning to usurers" - man showing open book to usurers seated around table. 15th Century?], Unknown
["A warning to usurers" - man showing open book to usurers seated around table. 15th Century?]Unknown[15th century?]Library of Congress
The Annunciation, Schongauer, Martin, active 15th century, artist
The AnnunciationSchongauer, Martin, active 15th century, artist[14--]Library of Congress
[Printed vellum page from the first book printed in small type. 1459], Unknown
[Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress
[Woodcuts used to illus. Fables from incunabula...1966: the fox and the crane, ca. 1479 - item 57], Unknown
[Woodcuts used to illus. Fables from incunabula...1966: the fox and the crane, ca. 1479 - item 57]Unknownca. 1479.Library of Congress
[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist
[Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1503]Library of Congress
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801 (?)Cooper Hewitt, Smithsonian Design Museum
0.84
Les-Parents-Terribles series: Here is the little Dancer, Paul Gavarni
Les-Parents-Terribles series: Here is the little DancerPaul Gavarni1852The Art Institute of Chicago
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Around the Studios, Honoré Daumier (French, 1808–1879)
Around the StudiosHonoré Daumier (French, 1808–1879)1862Cleveland Museum of Art
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In the stacks

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1

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  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Made in the nineteenth century, like En chemin de fer / hD..

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