Around the Studios, Honoré Daumier (French, 1808–1879)

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Credit
Gift of The Print Club of Cleveland
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 108335 (read 2026-09-01)
Record
https://clevelandart.org/art/1925.966
Around the Studios, Honoré Daumier (French, 1808–1879)
Around the Studios — Honoré Daumier (French, 1808–1879)1862

Also by Honoré Daumier (French, 1808–1879)

3
Rue Transnonain, April 15, 1834, Honoré Daumier (French, 1808–1879)
Rue Transnonain, April 15, 1834Honoré Daumier (French, 1808–1879)1834Cleveland Museum of Art
Gentlemen.... here goes a 43rd toast.... to the Temperance Society, Honoré Daumier (French, 1808–1879)
Gentlemen.... here goes a 43rd toast.... to the Temperance SocietyHonoré Daumier (French, 1808–1879)1844Cleveland Museum of Art
The hazards of shaking a plum tree too vigorously, when one too is mature., Honoré Daumier (French, 1808–1879)
The hazards of shaking a plum tree too vigorously, when one too is mature.Honoré Daumier (French, 1808–1879)1845Cleveland Museum of Art

Within fifty years of 1862

4330
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago
Legs and Feet of Male Nude, Michelangelo Buonarroti
Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago
An Exquisite, George Cruikshank
An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and OxFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum
Autolycus, Lumb Stocks, British, 1812 - 1892
AutolycusLumb Stocks, British, 1812 - 18921812-1892Cooper Hewitt, Smithsonian Design Museum
Frontispiece, François-Joseph Bélanger, French, 1744–1818
FrontispieceFrançois-Joseph Bélanger, French, 1744–18181812Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1812Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

387
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Les-Parents-Terribles series: Here is the little Dancer, Paul Gavarni
Les-Parents-Terribles series: Here is the little DancerPaul Gavarni1852The Art Institute of Chicago
0.86
Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations, Arsène Alexandre
Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrationsArsène Alexandre1888Metropolitan Museum of Art, New York, NY
0.85
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857, Honoré-Victorin Daumier
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857Honoré-Victorin Daumier1857The Art Institute of Chicago
0.85
They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828)
They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
0.84
March Winds and April Showers, Winslow Homer, American, 1836–1910
March Winds and April ShowersWinslow Homer, American, 1836–1910April 2, 1859Cooper Hewitt, Smithsonian Design Museum
0.84
Le Factionnaire, Daumier, Honoré, 1808-1879, artist
Le FactionnaireDaumier, Honoré, 1808-1879, artist1843.Library of Congress
0.84
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857Honoré DaumierApril 18, 1857Metropolitan Museum of Art, New York, NY
0.84
Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761., Winslow Homer, American, 1836–1910
Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761.Winslow Homer, American, 1836–1910December 1, 1860Cooper Hewitt, Smithsonian Design Museum
0.84

In the stacks

Not yet checked1

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  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Made in the nineteenth century, like Around the Studios.

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