Le Factionnaire — Daumier, Honoré, 1808-1879, artist, 1843.

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Credit: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Licence: PDM-1.0
Evidence: loc.gov item 2002717617: rights_advisory="No known restrictions on publication in the U.S. Use elsewhere may be restricted by other countries' laws. For general information see \"Copyright and Other Restrictions ...,\" https://www.loc.gov/rr/print/195_copr.html" (read 2026-09-01)
Record: https://www.loc.gov/item/2002717617/

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5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

The international studio · John Lane
at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
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Made in the nineteenth century, like Le Factionnaire.