Romaine Lacaux — Pierre-Auguste Renoir (French, 1841–1919), 1864

Romaine Lacaux, Pierre-Auguste Renoir (French, 1841–1919)

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Rights

Credit: Gift of the Hanna Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 121188 (read 2026-08-27)
Record: https://clevelandart.org/art/1942.1065

Also by Pierre-Auguste Renoir (French, 1841–1919)

6

Laundress and Her Child (Aline and Pierre), Pierre-Auguste Renoir (French, 1841–1919) — Laundress and Her Child (Aline and Pierre)Pierre-Auguste Renoir (French, 1841–1919)c. 1886Cleveland Museum of Art

The Apple Seller, Pierre-Auguste Renoir (French, 1841–1919) — The Apple SellerPierre-Auguste Renoir (French, 1841–1919)c. 1890Cleveland Museum of Art

Peasant Girl with Dog, Pierre-Auguste Renoir (French, 1841–1919) — Peasant Girl with DogPierre-Auguste Renoir (French, 1841–1919)c. 1894Cleveland Museum of Art

Roses in a Vase, Pierre-Auguste Renoir (French, 1841–1919) — Roses in a VasePierre-Auguste Renoir (French, 1841–1919)c. 1890Cleveland Museum of Art

Bathers Playing with a Crab, Pierre-Auguste Renoir (French, 1841–1919) — Bathers Playing with a CrabPierre-Auguste Renoir (French, 1841–1919)c. 1897Cleveland Museum of Art

Young Woman Arranging Her Earring, Pierre-Auguste Renoir (French, 1841–1919) — Young Woman Arranging Her EarringPierre-Auguste Renoir (French, 1841–1919)1905Cleveland Museum of Art

Within fifty years of 1864

4305

Hampstead, Stormy Sky, Style of John Constable — Hampstead, Stormy SkyStyle of John Constable1814The Art Institute of Chicago

Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえんそっきょうおどりひとりげいこ), Sanshōsai — Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえんそっきょうおどりひとりげいこ)Sanshōsai1814, first month (Bunka 11)Metropolitan Museum of Art, New York, NY

Decorative Studies; Verso: Barbarian Head in Profile from the AntiqueFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Study; Verso: Two Head Studies, Felice Giani, Italian, 1758–1823 — Decorative Study; Verso: Two Head StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Study; Verso: Anatomical Study, Felice Giani, Italian, 1758–1823 — Decorative Study; Verso: Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Eight Studies of Friezes and Candelabrum, Felice Giani, Italian, 1758–1823 — Eight Studies of Friezes and CandelabrumFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Four Decorative Studies of Ceilings; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823 — Four Decorative Studies of Ceilings; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823 — Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

385

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Next

Made in the nineteenth century, like Romaine Lacaux.

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