Date 1834. Medium 1 print : lithograph. Collection Library of Congress Illus. in AP103 .C17 v. 11 Rosenwald Coll [Rare Book RR] Getty ids beside the museum's words, by exact match, 2026-09-09
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Rights Credit Library of Congress Rare Book and Special Collections Division Washington, D.C. 20540 USA Licence PDM-1.0 Evidence loc.gov item 97519994: rights_advisory="No known restrictions on publication." (read 2026-09-01) Record https://www.loc.gov/item/97519994/ Close Rue Transnonain, le 15 Avril 1834 / H.D. — Daumier, Honoré, 1808-1879, artist 1834.
Also by Daumier, Honoré, 1808-1879, artist 5 Le ventre legislatif, 1834. Aspect des bancs ministériels de la chambre improstituée de 1834 / H. Daumier. Daumier, Honoré, 1808-1879, artistParis : Chez Aubert, galerie véro dodat 1834 (Paris : L. de Becquet, rue Furstemberg,6) Library of Congress Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD. Daumier, Honoré, 1808-1879, artist[Paris] : Au Bureau du Charivari, R. du Groissant 16, [ca. 1840] (Imp. d'Aubert & Cie.) Library of Congress Le Factionnaire Daumier, Honoré, 1808-1879, artist1843. Library of Congress Le Jardin des Plantes à Pékin--Les Chinois admirant beaucoup un quadrupéd de France et un bipède du même pays ... / H.D. ; lith. Destouches. Daumier, Honoré, 1808-1879, artist[1854] Library of Congress En chemin de fer / hD. Daumier, Honoré, 1808-1879, artist[Paris] : Mon. Martinet, 172, r Rivoli et 41, r Vivienne, [1864 août 26] (Lith. Destouches, 28, r Paradis Pre.) Library of Congress
Within fifty years of 1834. 3735 Pathfinder Illustration Jakob Ernst Marcusn.d. The Art Institute of Chicago Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté La Veuve Hérissant1784 Metropolitan Museum of Art, New York, NY Textile Unknownca. 1784 Cooper Hewitt, Smithsonian Design Museum Salesman's sample book Unknown1784 Cooper Hewitt, Smithsonian Design Museum Von den Träumen und Nachtwandlern Unknown1784 Stiftung der Werke von C.G.Jung, Zürich, B Qa 1 Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularis Nieupoort, Guillaume Henri1784 Stiftung der Werke von C.G.Jung, Zürich Woodblock Swaislands Fabric Printing Workslate 18th century Metropolitan Museum of Art, New York, NY Woodblock Swaislands Fabric Printing Workslate 18th century Metropolitan Museum of Art, New York, NY
Also at Library of Congress 207 ["A warning to usurers" - man showing open book to usurers seated around table. 15th Century?] Unknown[15th century?] Library of Congress The Annunciation Schongauer, Martin, active 15th century, artist[14--] Library of Congress [Printed vellum page from the first book printed in small type. 1459] Unknown1459. Library of Congress [Woodcuts used to illus. Fables from incunabula...1966: the fox and the crane, ca. 1479 - item 57] Unknownca. 1479. Library of Congress [Adoration of the Magi] / AD [monogram]. Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1503] Library of Congress [Incunabula illustrations, 1505] Unknown1505. Library of Congress [Incunabula illustrations, 1505] Unknown1505. Library of Congress [Incunabula illustrations, 1505] Unknown1505. Library of Congress In the stacks Not yet checked 1
Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
The international studio · John Lane
at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an … 0.71 Add a connection Propose a reading
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