Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD. — Daumier, Honoré, 1808-1879, artist, [Paris] : Au Bureau du Charivari, R. du Groissant 16, [ca. 1840] (Imp. d'Aubert & Cie.)

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Credit: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print
Licence: PDM-1.0
Evidence: loc.gov item 2005680365: rights_advisory="No known restrictions on publication." (read 2026-09-01)
Record: https://www.loc.gov/item/2005680365/

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204

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The international studio · John Lane
at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
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Made in the nineteenth century, like Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD..