Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations — Arsène Alexandre, 1888

Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations, Arsène Alexandre

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Credit: The Metropolitan Museum of Art
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 726678 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/726678

Within fifty years of 1888

3914

Tradecard, Frederick Crace and Son, London, Frederick Crace, English, 1779–1859 — Tradecard, Frederick Crace and Son, LondonFrederick Crace, English, 1779–18591838–40Cooper Hewitt, Smithsonian Design Museum

Head of Diety, Mariano Fortuny, Spanish, active Italy, 1871–1949 — Head of DietyMariano Fortuny, Spanish, active Italy, 1871–19491838–1874Cooper Hewitt, Smithsonian Design Museum

Sidewall, Unknown — SidewallUnknown1838Cooper Hewitt, Smithsonian Design Museum

The Chess Players, William Henry Fox Talbot — The Chess PlayersWilliam Henry Fox Talbotc. 1843/47The Art Institute of Chicago

Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)", Utagawa Hiroshige — Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"Utagawa Hiroshigec. 1844/45The Art Institute of Chicago

Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826, Pascal Coste — Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826Pascal Coste1839Metropolitan Museum of Art, New York, NY

Bookstand, Charles-Auguste Questel — BookstandCharles-Auguste Questel1839Metropolitan Museum of Art, New York, NY

Book of Woven Coverlet Designs (Draft), Daniel Stephenson — Book of Woven Coverlet Designs (Draft)Daniel Stephensonc. 1839The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

524

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Les-Parents-Terribles series: Here is the little Dancer, Paul Gavarni — Les-Parents-Terribles series: Here is the little DancerPaul Gavarni1852The Art Institute of Chicago

0.87

Decorations by Lebrun and Mignard at the Palace of Versailles, Unknown — Decorations by Lebrun and Mignard at the Palace of VersaillesUnknownbefore 1901Cooper Hewitt, Smithsonian Design Museum

0.87

Figural Scene with Artist Drawing Female Figure While Man Watches from Behind, Felice Giani, Italian, 1758–1823 — Figural Scene with Artist Drawing Female Figure While Man Watches from BehindFelice Giani, Italian, 1758–1823late 18th–early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823 — Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.86

Decorations by Lebrun and Mignard at the Palace of Versailles, Unknown — Decorations by Lebrun and Mignard at the Palace of VersaillesUnknownbefore 1901Cooper Hewitt, Smithsonian Design Museum

0.86

Around the Studios, Honoré Daumier (French, 1808–1879) — Around the StudiosHonoré Daumier (French, 1808–1879)1862Cleveland Museum of Art

0.85

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.85

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Made in the nineteenth century, like Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations.

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