The hazards of shaking a plum tree too vigorously, when one too is mature., Honoré Daumier (French, 1808–1879)

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Credit
Dudley P. Allen Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 107014 (read 2026-09-01)
Record
https://clevelandart.org/art/1925.1011
The hazards of shaking a plum tree too vigorously, when one too is mature., Honoré Daumier (French, 1808–1879)
The hazards of shaking a plum tree too vigorously, when one too is mature. — Honoré Daumier (French, 1808–1879)1845

Also by Honoré Daumier (French, 1808–1879)

3
Rue Transnonain, April 15, 1834, Honoré Daumier (French, 1808–1879)
Rue Transnonain, April 15, 1834Honoré Daumier (French, 1808–1879)1834Cleveland Museum of Art
Gentlemen.... here goes a 43rd toast.... to the Temperance Society, Honoré Daumier (French, 1808–1879)
Gentlemen.... here goes a 43rd toast.... to the Temperance SocietyHonoré Daumier (French, 1808–1879)1844Cleveland Museum of Art
Around the Studios, Honoré Daumier (French, 1808–1879)
Around the StudiosHonoré Daumier (French, 1808–1879)1862Cleveland Museum of Art

Within fifty years of 1845

4023
Ferdinand VII (1784–1833), When Prince of Asturias, Goya
Ferdinand VII (1784–1833), When Prince of AsturiasGoyaca. 1800Metropolitan Museum of Art, New York, NY
Waistcoat, Unknown
WaistcoatUnknownca. 1795Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1795Cooper Hewitt, Smithsonian Design Museum
Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), Kitagawa Utamaro
Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)Kitagawa Utamaroc. 1800The Art Institute of Chicago
Les Losanges, Jean-Baptiste Huet, French, 1745 – 1811
Les LosangesJean-Baptiste Huet, French, 1745 – 18111795–1810Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1795–1810Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1795Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1795–1805Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

423
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
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