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Holder's headings Men , Fashion , Mirrors , Caricature Close An Exquisite — George Cruikshank ca. 1817
Also by George Cruikshank 2 Zéphir George Cruikshank1817–19 Metropolitan Museum of Art, New York, NY The Dandies Coat of Arms George CruikshankMarch 28, 1819 Metropolitan Museum of Art, New York, NY
Within fifty years of ca. 1817 3198 Young Woman Looking at a Pot of Pinks Suzuki Harunobu (Japanese, 1724–1770)c. 1767 Cleveland Museum of Art Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I Robert Bénard, French, 1734–17721762 Cooper Hewitt, Smithsonian Design Museum Plate I of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I Louis-Jacques Goussier, French, 1722 - 17991762 Cooper Hewitt, Smithsonian Design Museum "Culture et Arsonnage du Coton" from Diderot's Encyclopedia, Vol. I Robert Bénard, French, 1734–17721762 Cooper Hewitt, Smithsonian Design Museum Plate IV of "Travail et emploi du Coton" from Diderot's Encyclopia, Vol. I Robert Bénard, French, 1734–17721762 Cooper Hewitt, Smithsonian Design Museum Élévation d’un Batiment de Trois Toises de Face Geneviève-Marguerite Chéreau, French, active 1755-1768, d.17821762 Cooper Hewitt, Smithsonian Design Museum Orfèvre Grossier, Ouvrages J.R. Lucotte, French, 1733 – 17841762 Cooper Hewitt, Smithsonian Design Museum Orfèvre Grossier, Ouvrages J.R. Lucotte, French, 1733 – 17841762 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 575 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the nineteenth century, like An Exquisite.
