Views of Rome: The The Isola Tiberina — Giovanni Battista Piranesi (Italian, 1720–1778), 1775

Views of Rome: The The Isola Tiberina, Giovanni Battista Piranesi (Italian, 1720–1778)

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Credit: Gift of the family of Mr. and Mrs. Peter M. Hitchcock
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 103800 (read 2026-09-01)
Record: https://clevelandart.org/art/1921.908

Also by Giovanni Battista Piranesi (Italian, 1720–1778)

6

The Prisons, Giovanni Battista Piranesi (Italian, 1720–1778) — The PrisonsGiovanni Battista Piranesi (Italian, 1720–1778)1745–1750Cleveland Museum of Art

Avanzo del Tempio di Minerva Medica, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanzo del Tempio di Minerva MedicaGiovanni Battista Piranesi (Italian, 1720–1778)c. 1745–65Cleveland Museum of Art

Tempio di Diana, Giovanni Battista Piranesi (Italian, 1720–1778) — Tempio di DianaGiovanni Battista Piranesi (Italian, 1720–1778)1748Cleveland Museum of Art

Prisoners on a Projecting Platform, Plate 10, Giovanni Battista Piranesi (Italian, 1720–1778) — Prisoners on a Projecting Platform, Plate 10Giovanni Battista Piranesi (Italian, 1720–1778)1749–50Cleveland Museum of Art

Sacrificial Offering in a Temple, Giovanni Battista Piranesi (Italian, 1720–1778) — Sacrificial Offering in a TempleGiovanni Battista Piranesi (Italian, 1720–1778)after 1750Cleveland Museum of Art

Avanco del Tempio della Concordia, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanco del Tempio della ConcordiaGiovanni Battista Piranesi (Italian, 1720–1778)1756Cleveland Museum of Art

Within fifty years of 1775

3147

Fan (Vernis Martin Type), France — Fan (Vernis Martin Type)FranceLouis XV period (1715–1774), 1725–1774The Art Institute of Chicago

Fork with Silver Handle, Unknown — Fork with Silver HandleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Left Hand of Moses, Michelangelo Buonarroti — Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago

Sidewall, Unknown — SidewallUnknownca. 1725Cooper Hewitt, Smithsonian Design Museum

Proscenium and Plan for a Stage, Unknown, Italian — Proscenium and Plan for a StageUnknown, Italian1725–50Cooper Hewitt, Smithsonian Design Museum

Design for a Hanging Console, Unknown — Design for a Hanging ConsoleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Drawing, Unknown — DrawingUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Fragment of a wreath with monograph of Christ, Unknown — Fragment of a wreath with monograph of ChristUnknown1725–77Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

564

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.90

Study for Noah's Ark, Plate 40, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736 — Study for Noah's Ark, Plate 40, Physica SacraJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

0.89

Villa Pamphili outside Porta S. Pancrazio, from Views of Rome, Giovanni Battista Piranesi — Villa Pamphili outside Porta S. Pancrazio, from Views of RomeGiovanni Battista Piranesi1776, published 1800–07The Art Institute of Chicago

0.89

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi — View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)Giovanni Battista Piranesica. 1756Metropolitan Museum of Art, New York, NY

0.88

Avanzo del Tempio di Minerva Medica, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanzo del Tempio di Minerva MedicaGiovanni Battista Piranesi (Italian, 1720–1778)c. 1745–65Cleveland Museum of Art

0.88

Landscape View, Unknown — Landscape ViewUnknown1750–1825Cooper Hewitt, Smithsonian Design Museum

0.88

LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703 — LE PONT ROIAL DES THUILERIESLivens, unknown, active 1687 – 17031687–1703Cooper Hewitt, Smithsonian Design Museum

0.88

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the eighteenth century, like Views of Rome: The The Isola Tiberina.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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