View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views) — Giovanni Battista Piranesi, ca. 1756

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Architecture, Buildings, Rome

Means

No reading yet.

Rights

Credit: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund,1955
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 360267 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/360267

Also by Giovanni Battista Piranesi

12

Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi — Veduta del Tempio di Giove TonanteGiovanni Battista Piranesi1740s–60sMetropolitan Museum of Art, New York, NY

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesica. 1749–50Metropolitan Museum of Art, New York, NY

The Pyramid of Gaius Cestius, from Views of Rome, Giovanni Battista Piranesi — The Pyramid of Gaius Cestius, from Views of RomeGiovanni Battista Piranesi1750/59, published 1800–07The Art Institute of Chicago

The Skeletons, Giovanni Battista Piranesi — The SkeletonsGiovanni Battista Piranesi1750The Art Institute of Chicago

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons, Giovanni Battista Piranesi — Prisoners on a Projecting Platform, plate 10 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Within fifty years of ca. 1756

2681

Illuminated Initial "N" with Acanthus Leaves from a Choirbook, European (possibly France) — Illuminated Initial "N" with Acanthus Leaves from a ChoirbookEuropean (possibly France)18th or 19th centuryThe Art Institute of Chicago

Panel, France or England — PanelFrance or EnglandEarly 18th centuryThe Art Institute of Chicago

Bell-Shaped Huqqa Base with Floral Design, India
Deccan — Bell-Shaped Huqqa Base with Floral DesignIndia Deccan18th/19th centuryThe Art Institute of Chicago

Project of a twisted column, Unknown — Project of a twisted columnUnknown1701–50Cooper Hewitt, Smithsonian Design Museum

Book Binding, Islamic — Book BindingIslamicQajar dynasty (1796–1925), 1822, 18th/19th centuryThe Art Institute of Chicago

Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal — Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago

Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal — Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago

One of a Pair of Magical Charms (Dharani) Manuscript Covers, Nepal — One of a Pair of Magical Charms (Dharani) Manuscript CoversNepal18th centuryThe Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

644

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Views of Rome: The The Isola Tiberina, Giovanni Battista Piranesi (Italian, 1720–1778) — Views of Rome: The The Isola TiberinaGiovanni Battista Piranesi (Italian, 1720–1778)1775Cleveland Museum of Art

0.88

Study for Noah's Ark, Plate 40, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736 — Study for Noah's Ark, Plate 40, Physica SacraJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

0.87

Stage Design, Palace Interiors, Unknown — Stage Design, Palace InteriorsUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Arco di Settimio Severo / Piranesi architetto fec., Piranesi, Giovanni Battista, 1720-1778, engraver — Arco di Settimio Severo / Piranesi architetto fec.Piranesi, Giovanni Battista, 1720-1778, engraver[between 1740 and 1778]Library of Congress

0.87

LE PONT NEUF, Adam Perelle, French, 1638 – 1695 — LE PONT NEUFAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum

0.87

LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703 — LE PONT ROIAL DES THUILERIESLivens, unknown, active 1687 – 17031687–1703Cooper Hewitt, Smithsonian Design Museum

0.87

LA COLONNADE DE VERSAILLES, Adam Perelle, French, 1638 – 1695 — LA COLONNADE DE VERSAILLESAdam Perelle, French, 1638 – 16951685–1703Cooper Hewitt, Smithsonian Design Museum

0.87

LA NOUVELLE PORTE ST. HONORÉ, Adam Perelle, French, 1638 – 1695 — LA NOUVELLE PORTE ST. HONORÉAdam Perelle, French, 1638 – 16951677–1703Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Giovanni Battista Piranesi made View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), and made these too.

Made in the eighteenth century, like View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views).

0:00–0:00