maker

Giovanni Battista Piranesi

33 works · 1740 to 1835 · ulan:500114965

10 of 997 ids checked against the Met and Wikidata named a different concept (1.0%), read 2026-09-08

Giovanni Battista Piranesi: The Art Institute of Chicago, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY and Cooper Hewitt, Smithsonian Design Museum25 as in Giovanni Battista Piranesi (Italian, 1720–1778), Giovanni Battista Piranesi, Italian, 1720–1778, Giovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850)
Piranesi, Giovanni Battista: Library of Congress8 as in Piranesi, Giovanni Battista, 1720-1778, artist, Piranesi, Giovanni Battista, 1720-1778., Piranesi, Giovanni Battista, 1720-1778, engraver
Getty: Piranesi, Giovanni BattistaUnion List of Artist Names 500114965

Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi — Veduta del Tempio di Giove TonanteGiovanni Battista Piranesi1740s–60sMetropolitan Museum of Art, New York, NY

Arco di Settimio Severo / Piranesi architetto fec., Piranesi, Giovanni Battista, 1720-1778, engraver — Arco di Settimio Severo / Piranesi architetto fec.Piranesi, Giovanni Battista, 1720-1778, engraver[between 1740 and 1778]Library of Congress

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesica. 1749–50Metropolitan Museum of Art, New York, NY

Carceri Series, Plate XV, Giovanni Battista Piranesi, Italian, 1720–1778 — Carceri Series, Plate XVGiovanni Battista Piranesi, Italian, 1720–17781745Cooper Hewitt, Smithsonian Design Museum

The Prisons, Giovanni Battista Piranesi (Italian, 1720–1778) — The PrisonsGiovanni Battista Piranesi (Italian, 1720–1778)1745–1750Cleveland Museum of Art

Avanzo del Tempio di Minerva Medica, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanzo del Tempio di Minerva MedicaGiovanni Battista Piranesi (Italian, 1720–1778)c. 1745–65Cleveland Museum of Art

Veduta del tempio de Bacco, Piranesi, Giovanni Battista, 1720-1778, artist — Veduta del tempio de BaccoPiranesi, Giovanni Battista, 1720-1778, artist[between 1746 and 1778]Library of Congress

The Tomb of Nero, Giovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850) — The Tomb of NeroGiovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850)1747–48Cleveland Museum of Art

Tempio di Diana, Giovanni Battista Piranesi (Italian, 1720–1778) — Tempio di DianaGiovanni Battista Piranesi (Italian, 1720–1778)1748Cleveland Museum of Art

Veduta del Tempio di Antonino e Faustina in Campo Vaccino, Piranesi, Giovanni Battista, 1720-1778, artist — Veduta del Tempio di Antonino e Faustina in Campo VaccinoPiranesi, Giovanni Battista, 1720-1778, artist[1748?]Library of Congress

Prisoners on a Projecting Platform, Plate 10, Giovanni Battista Piranesi (Italian, 1720–1778) — Prisoners on a Projecting Platform, Plate 10Giovanni Battista Piranesi (Italian, 1720–1778)1749–50Cleveland Museum of Art

The Pyramid of Gaius Cestius, from Views of Rome, Giovanni Battista Piranesi — The Pyramid of Gaius Cestius, from Views of RomeGiovanni Battista Piranesi1750/59, published 1800–07The Art Institute of Chicago

The Skeletons, Giovanni Battista Piranesi — The SkeletonsGiovanni Battista Piranesi1750The Art Institute of Chicago

Sacrificial Offering in a Temple, Giovanni Battista Piranesi (Italian, 1720–1778) — Sacrificial Offering in a TempleGiovanni Battista Piranesi (Italian, 1720–1778)after 1750Cleveland Museum of Art

Veduta interna della Basilica di S. Pietro in Vaticano / Piranesi fecit., Piranesi, Giovanni Battista, 1720-1778, artist — Veduta interna della Basilica di S. Pietro in Vaticano / Piranesi fecit.Piranesi, Giovanni Battista, 1720-1778, artist[between 1750 and 1778?]Library of Congress

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi — View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)Giovanni Battista Piranesica. 1756Metropolitan Museum of Art, New York, NY

Avanco del Tempio della Concordia, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanco del Tempio della ConcordiaGiovanni Battista Piranesi (Italian, 1720–1778)1756Cleveland Museum of Art

[Surface and substrata layers of Roman road construction], Piranesi, Giovanni Battista, 1720-1778. — [Surface and substrata layers of Roman road construction]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress

[Roman Colosseum], Piranesi, Giovanni Battista, 1720-1778. — [Roman Colosseum]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress

[Remains of a Roman sepulchre], Piranesi, Giovanni Battista, 1720-1778. — [Remains of a Roman sepulchre]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress

Veduta del Ponte e del mausoleo, ..., Piranesi, Giovanni Battista, 1720-1778, artist — Veduta del Ponte e del mausoleo, ...Piranesi, Giovanni Battista, 1720-1778, artist[1756]Library of Congress

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons, Giovanni Battista Piranesi — Prisoners on a Projecting Platform, plate 10 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720–1778 — Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica RomaGiovanni Battista Piranesi, Italian, 1720–17781762Cooper Hewitt, Smithsonian Design Museum

View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi — View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago

Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses), Giovanni Battista Piranesi — Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)Giovanni Battista Piranesica. 1769Metropolitan Museum of Art, New York, NY

Etching. Figural letter. Capital S., Giovanni Battista Piranesi, Italian, 1720–1778 — Etching. Figural letter. Capital S.Giovanni Battista Piranesi, Italian, 1720–1778ca. 1770Cooper Hewitt, Smithsonian Design Museum

Views of Rome: The The Isola Tiberina, Giovanni Battista Piranesi (Italian, 1720–1778) — Views of Rome: The The Isola TiberinaGiovanni Battista Piranesi (Italian, 1720–1778)1775Cleveland Museum of Art

Villa Pamphili outside Porta S. Pancrazio, from Views of Rome, Giovanni Battista Piranesi — Villa Pamphili outside Porta S. Pancrazio, from Views of RomeGiovanni Battista Piranesi1776, published 1800–07The Art Institute of Chicago

View through the Herculaneum Gate, Pompeii, Giovanni Battista Piranesi — View through the Herculaneum Gate, PompeiiGiovanni Battista Piranesi1778Metropolitan Museum of Art, New York, NY

The Gothic Arch, Giovanni Battista Piranesi, Italian, 1720–1778 — The Gothic ArchGiovanni Battista Piranesi, Italian, 1720–17781835-1839Cooper Hewitt, Smithsonian Design Museum

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