LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703

Seen

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Of

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Rights

Credit
Purchased for the Museum by the Advisory Council
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1921-6-533-12 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/36307
LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703
LE PONT ROIAL DES THUILERIES — Livens, unknown, active 1687 – 17031687–1703

Within fifty years of 1687–1703

1180
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Lan Ying
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)Lan YingMing dynasty (1368–1644), first half of 17th centuryThe Art Institute of Chicago
An Old Lady with a Book, Rembrandt van Rijn and Workshop
An Old Lady with a BookRembrandt van Rijn and Workshop1637National Gallery of Art
Portrait of Jan van de Poll (1597-1678), Frans Hals
Portrait of Jan van de Poll (1597-1678)Frans Halsc. 1637Rijksmuseum
Portrait of Duijfje van Gerwen (1618-1658), Frans Hals
Portrait of Duijfje van Gerwen (1618-1658)Frans Halsc. 1637Rijksmuseum
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán
Battle between Christians and Muslims at El SotilloFrancisco de Zurbaránca. 1637–39Metropolitan Museum of Art, New York, NY
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens (Flemish, 1577–1640)
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art
The Feast of Herod (recto), Peter Paul Rubens (Flemish, 1577–1640)
The Feast of Herod (recto)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art
Adam and Eve, Rembrandt van Rijn
Adam and EveRembrandt van Rijn1638The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

9207
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

LE PONT-NEUF, Adam Perelle, French, 1638 – 1695
LE PONT-NEUFAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.95
LE PONT NEUF, Adam Perelle, French, 1638 – 1695
LE PONT NEUFAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.94
LE PONT AU CHANGE, Adam Perelle, French, 1638 – 1695
LE PONT AU CHANGEAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.92
LE PONT NÔTRE DAME, Gabriel Perelle, French, 1604–1677
LE PONT NÔTRE DAMEGabriel Perelle, French, 1604–1677late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.90
LA PORTE DE LA CONFERENCE, Gabriel Perelle, French, 1604–1677
LA PORTE DE LA CONFERENCEGabriel Perelle, French, 1604–1677late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.89
LE PONT MARIE, Gabriel Perelle, French, 1604–1677
LE PONT MARIEGabriel Perelle, French, 1604–1677late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.89
LE PONT ST. MICHEL, Adam Perelle, French, 1638 – 1695
LE PONT ST. MICHELAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.89
LE CHASTEAU DE MEUDON, Adam Perelle, French, 1638 – 1695
LE CHASTEAU DE MEUDONAdam Perelle, French, 1638 – 16951679–1691Cooper Hewitt, Smithsonian Design Museum
0.88

Next

Made in the seventeenth century, like LE PONT ROIAL DES THUILERIES.

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