Apples, Henri Matisse

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
apples, tables, food, fruit, still life, yellow (color)
Wikidata depicts
apple, bowl, fruit bowl

Means

No reading yet.


Rights

Credit
Gift of Florene May Schoenborn and Samuel A. Marx. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 64001 (read 2026-08-27)
Record
https://www.artic.edu/artworks/64001
IIIF
manifest
Apples, Henri Matisse
Apples — Henri Matisse1916

Also by Henri Matisse

4
The Serf, Henri Matisse
The SerfHenri Matisse1900–03, cast c. 1908The Art Institute of Chicago
Still Life with Geranium, Henri Matisse
Still Life with GeraniumHenri Matisse1906The Art Institute of Chicago
Woman before an Aquarium, Henri Matisse
Woman before an AquariumHenri Matisse1921–23The Art Institute of Chicago
Woman on Rose Divan, Henri Matisse
Woman on Rose DivanHenri Matisse1921The Art Institute of Chicago

Within fifty years of 1916

3063
Vase, Adolph von Heyden
VaseAdolph von Heydenc. 1900The Art Institute of Chicago
The Collector of Prints, Edgar Degas
The Collector of PrintsEdgar Degas1866Metropolitan Museum of Art, New York, NY
The Smoker, Edouard Manet
The SmokerEdouard ManetMetropolitan Museum of Art, New York, NY
La Roche-Guyon, Camille Pissarro (French, 1830–1903)
La Roche-GuyonCamille Pissarro (French, 1830–1903)1866Cleveland Museum of Art
Fear, Odilon Redon (French, 1840–1916)
FearOdilon Redon (French, 1840–1916)1866Cleveland Museum of Art
The Dead Christ with Angels, Édouard Manet (French, 1832–1883)
The Dead Christ with AngelsÉdouard Manet (French, 1832–1883)1866–67Cleveland Museum of Art
The Croquet Players, Winslow Homer
The Croquet PlayersWinslow Homer1866Metropolitan Museum of Art, New York, NY
Geese in a Farmyard, Jean François Millet
Geese in a FarmyardJean François Milletc. 1871The Art Institute of Chicago

Also at The Art Institute of Chicago

577
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
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Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

1 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Plate of Apples, Paul Cezanne
The Plate of ApplesPaul Cezannec. 1877The Art Institute of Chicago
0.84

In the stacks

Not yet checked
1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    Whether the difference between the nineteenth and twentieth centuries will in retrospect seem as great in life as they already do in art I cannot guess--at least it is curious to note how much more conscious we are of the change in art then we are in the general change in thought and feeling. NOTE.--The original lecture was not illustrated, but the opportunity of publishing this summary of it has suggested the possibility of introducing a few examples to illustrate one point, viz., the extent to which the works of
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Next

Made in the twentieth century, like Apples.

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