Still Life with Geranium, Henri Matisse

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
still life, fruit, blue (color), brown (color), white (color), pink (color), red (color), sculptures, flowers, servingware, green (color), plants, ceramics, Geraniums, tables, vegetables, Joseph Winterbotham Collection
Wikidata depicts
Geranium, flowerpot

Means

No reading yet.

Rights

Credit
Joseph Winterbotham Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 87045 (read 2026-08-27)
Record
https://www.artic.edu/artworks/87045
IIIF
manifest
Still Life with Geranium, Henri Matisse
Still Life with Geranium — Henri Matisse1906

Also by Henri Matisse

4
The Serf, Henri Matisse
The SerfHenri Matisse1900–03, cast c. 1908The Art Institute of Chicago
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Woman before an Aquarium, Henri Matisse
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Woman on Rose Divan, Henri Matisse
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Within fifty years of 1906

3397
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Kovsh, Unknown
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Goat Island and Terrapin Tower, Niagara River, New York, Frederic Edwin Church, American, 1826–1900
Goat Island and Terrapin Tower, Niagara River, New YorkFrederic Edwin Church, American, 1826–1900October 1856Cooper Hewitt, Smithsonian Design Museum
Les Grands Hommes, Jules Desfossé, French, active 1851 - 1863
Les Grands HommesJules Desfossé, French, active 1851 - 18631856–57Cooper Hewitt, Smithsonian Design Museum
Drawing Room of a Sportsman, Emanuel Stöckler, Moravian/Czechoslovakian, 1819 – 1893
Drawing Room of a SportsmanEmanuel Stöckler, Moravian/Czechoslovakian, 1819 – 18931856Cooper Hewitt, Smithsonian Design Museum
Design for a Cabinet in the "Boulle" Style, Pagny, French, 1856 – 1888
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Study of clouds, William Stanley Haseltine, American, 1835–1900
Study of cloudsWilliam Stanley Haseltine, American, 1835–1900ca. 1856Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

549
Statuette of a Female Figure, Ancient Greek
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Cauldron, China
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Altar, Ancient Greek
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
0.88
Vase of Flowers, Odilon Redon (French, 1840–1916)
Vase of FlowersOdilon Redon (French, 1840–1916)c. 1905Cleveland Museum of Art
0.86
Still Life with Apples and a Pot of Primroses, Paul Cézanne
Still Life with Apples and a Pot of PrimrosesPaul Cézanneca. 1890Metropolitan Museum of Art, New York, NY
0.85
Bouquet of Flowers, Odilon Redon
Bouquet of FlowersOdilon Redonca. 1900–1905Metropolitan Museum of Art, New York, NY
0.84
Still Life with Teapot and Fruit, Paul Gauguin
Still Life with Teapot and FruitPaul Gauguin1896Metropolitan Museum of Art, New York, NY
0.84
Still Life with Flowers and Prickly Pears, Auguste Renoir
Still Life with Flowers and Prickly PearsAuguste Renoirca. 1885Metropolitan Museum of Art, New York, NY
0.84
Chrysanthemums, Pierre-Auguste Renoir
ChrysanthemumsPierre-Auguste Renoir1881–82The Art Institute of Chicago
0.84
Still Life with Flowers, Odilon Redon
Still Life with FlowersOdilon Redon1905The Art Institute of Chicago
0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    Whether the difference between the nineteenth and twentieth centuries will in retrospect seem as great in life as they already do in art I cannot guess--at least it is curious to note how much more conscious we are of the change in art then we are in the general change in thought and feeling. NOTE.--The original lecture was not illustrated, but the opportunity of publishing this summary of it has suggested the possibility of introducing a few examples to illustrate one point, viz., the extent to which the works of
    0.69

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Made in the twentieth century, like Still Life with Geranium.

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