Fear, Odilon Redon (French, 1840–1916)

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Rights

Credit
Gift of The Print Club of Cleveland
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 160709 (read 2026-08-27)
Record
https://clevelandart.org/art/1998.69
Fear, Odilon Redon (French, 1840–1916)
Fear — Odilon Redon (French, 1840–1916)1866

Also by Odilon Redon (French, 1840–1916)

7
Melancholy, Odilon Redon (French, 1840–1916)
MelancholyOdilon Redon (French, 1840–1916)c. 1868Cleveland Museum of Art
Quasimodo, Odilon Redon (French, 1840–1916)
QuasimodoOdilon Redon (French, 1840–1916)c. 1875–80Cleveland Museum of Art
Symbolic Head, Odilon Redon (French, 1840–1916)
Symbolic HeadOdilon Redon (French, 1840–1916)c. 1890Cleveland Museum of Art
Orpheus, Odilon Redon (French, 1840–1916)
OrpheusOdilon Redon (French, 1840–1916)c. 1903–10Cleveland Museum of Art
Vase of Flowers, Odilon Redon (French, 1840–1916)
Vase of FlowersOdilon Redon (French, 1840–1916)c. 1905Cleveland Museum of Art
Violette Heymann, Odilon Redon (French, 1840–1916)
Violette HeymannOdilon Redon (French, 1840–1916)1910Cleveland Museum of Art
Vase of Flowers, Odilon Redon (French, 1840–1916)
Vase of FlowersOdilon Redon (French, 1840–1916)1916Cleveland Museum of Art

Within fifty years of 1866

4253
Be Careful with that Step!, Francisco José de Goya y Lucientes
Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago
The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)
The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art
Kumquat, Design Fifteen from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Kumquat, Design Fifteen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
Narcissus, Design Three from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Narcissus, Design Three from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
Hydrangea, Design Seventeen from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Hydrangea, Design Seventeen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
Lily, Design Seven from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Lily, Design Seven from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
Bamboo, Design One from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Bamboo, Design One from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
Grapevine, Design Ten from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Grapevine, Design Ten from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Also at Cleveland Museum of Art

380
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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Made in the nineteenth century, like Fear.

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