The Collector of Prints — Edgar Degas, 1866

The Collector of Prints, Edgar Degas

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Portraits
Wikidata depicts: man, portrait

Means

No reading yet.

Rights

Credit: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436122 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/436122

Also by Edgar Degas

14

Self-Portrait (Edgar Degas, par lui-même), Edgar Degas — Self-Portrait (Edgar Degas, par lui-même)Edgar Degas1857National Gallery of Art

The Engraver Joseph Tourny (Le graveur Joseph Tourny), Edgar Degas — The Engraver Joseph Tourny (Le graveur Joseph Tourny)Edgar Degas1857 (third printing)National Gallery of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas — A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)Edgar Degas1865Metropolitan Museum of Art, New York, NY

Sulking, Edgar Degas — SulkingEdgar Degasca. 1870Metropolitan Museum of Art, New York, NY

The Dancing Class, Edgar Degas — The Dancing ClassEdgar Degasca. 1870Metropolitan Museum of Art, New York, NY

The Rehearsal of the Ballet Onstage, Edgar Degas — The Rehearsal of the Ballet OnstageEdgar Degasca. 1874Metropolitan Museum of Art, New York, NY

The Races, Edgar Degas — The RacesEdgar Degas1871-1872National Gallery of Art

The Dance Class, Edgar Degas — The Dance ClassEdgar Degas1874Metropolitan Museum of Art, New York, NY

Within fifty years of 1866

4246

Be Careful with that Step!, Francisco José de Goya y Lucientes — Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago

The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art

Kumquat, Design Fifteen from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Kumquat, Design Fifteen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Narcissus, Design Three from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Narcissus, Design Three from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Hydrangea, Design Seventeen from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Hydrangea, Design Seventeen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Lily, Design Seven from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Lily, Design Seven from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Bamboo, Design One from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Bamboo, Design One from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Grapevine, Design Ten from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841) — Grapevine, Design Ten from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

490

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Edgar Degas made The Collector of Prints, and made these too.

Made in the nineteenth century, like The Collector of Prints.

0:00–0:00