Seen
Not described yet.
Of
These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
- Holder's headings
- men, nudes, standing, Giovanni Bevilacqua
Means
No reading yet.
Rights
- Credit
- Edward E. Ayer Endowment in memory of Charles L. Hutchinson. CC0.
- Licence
- CC0-1.0
- Evidence
- api.artic.edu artworks api: is_public_domain=true on artwork 64916 (read 2026-08-27)
- Record
- https://www.artic.edu/artworks/64916
- IIIF
- manifest

Also by Henri Matisse
4



Within fifty years of 1900–03, cast c. 1908
3740







Also at The Art Institute of Chicago
531







Similar picturesFound by visual likeness
6 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.






In the stacks
Not yet checked1Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
Whether the difference between the nineteenth and twentieth centuries will in retrospect seem as great in life as they already do in art I cannot guess--at least it is curious to note how much more conscious we are of the change in art then we are in the general change in thought and feeling. NOTE.--The original lecture was not illustrated, but the opportunity of publishing this summary of it has suggested the possibility of introducing a few examples to illustrate one point, viz., the extent to which the works of
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