Woman before an Aquarium, Henri Matisse

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Century of Progress, world's fairs, Chicago World's Fairs, furniture, fishbowls, aquariums, fish, women, textile pattern, pine cones, goldfish
Wikidata depicts
woman, table, chair, aquarium, goldfish

Means

No reading yet.

Rights

Credit
Helen Birch Bartlett Memorial Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 27984 (read 2026-08-27)
Record
https://www.artic.edu/artworks/27984
IIIF
manifest
Woman before an Aquarium, Henri Matisse
Woman before an Aquarium — Henri Matisse1921–23

Also by Henri Matisse

4
The Serf, Henri Matisse
The SerfHenri Matisse1900–03, cast c. 1908The Art Institute of Chicago
Still Life with Geranium, Henri Matisse
Still Life with GeraniumHenri Matisse1906The Art Institute of Chicago
Apples, Henri Matisse
ApplesHenri Matisse1916The Art Institute of Chicago
Woman on Rose Divan, Henri Matisse
Woman on Rose DivanHenri Matisse1921The Art Institute of Chicago

Within fifty years of 1921–23

2890
Illustration for a Story, José Guadalupe Posada
Illustration for a StoryJosé Guadalupe Posadan.d.The Art Institute of Chicago
The Rehearsal of the Ballet Onstage, Edgar Degas
The Rehearsal of the Ballet OnstageEdgar Degasca. 1874Metropolitan Museum of Art, New York, NY
Hector Giacomelli (French painter, illustrator, and printmaker, 1822-1904), Ferdinand J. Mulnier
Hector Giacomelli (French painter, illustrator, and printmaker, 1822-1904)Ferdinand J. Mulnierc. 1876The Art Institute of Chicago
Poster for a performance by Henri Huerta, Anonymous
Poster for a performance by Henri HuertaAnonymous1871Metropolitan Museum of Art, New York, NY
Sideboard, Edward William Godwin
SideboardEdward William GodwinDesigned 1867, made c. 1876The Art Institute of Chicago
The Races, Edgar Degas
The RacesEdgar Degas1871-1872National Gallery of Art
At Sea, - signalling a passing Steamer, Winslow Homer, American, 1836–1910
At Sea, - signalling a passing SteamerWinslow Homer, American, 1836–19101871Cooper Hewitt, Smithsonian Design Museum
Bathing at Long Branch, "Oh, ain't it cold !", Winslow Homer, American, 1836–1910
Bathing at Long Branch, "Oh, ain't it cold !"Winslow Homer, American, 1836–1910August 26, 1871Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

602
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago
Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    Whether the difference between the nineteenth and twentieth centuries will in retrospect seem as great in life as they already do in art I cannot guess--at least it is curious to note how much more conscious we are of the change in art then we are in the general change in thought and feeling. NOTE.--The original lecture was not illustrated, but the opportunity of publishing this summary of it has suggested the possibility of introducing a few examples to illustrate one point, viz., the extent to which the works of
    0.69

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Made in the twentieth century, like Woman before an Aquarium.

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