The Plate of Apples, Paul Cezanne

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
still life, table, fruit, apples, bowl, food

Means

No reading yet.


Rights

Credit
Gift of Kate L. Brewster. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 65811 (read 2026-08-27)
Record
https://www.artic.edu/artworks/65811
IIIF
manifest
The Plate of Apples, Paul Cezanne
The Plate of Apples — Paul Cezannec. 1877

Also by Paul Cezanne

8
Figure Studies Over an Etching of an Ornamental Vase, Paul Cezanne
Figure Studies Over an Etching of an Ornamental VasePaul Cezanne1870/72The Art Institute of Chicago
Auvers, Panoramic View, Paul Cezanne
Auvers, Panoramic ViewPaul Cezanne1873–75The Art Institute of Chicago
The Bay of Marseille, Seen from L'Estaque, Paul Cezanne
The Bay of Marseille, Seen from L'EstaquePaul Cezannec. 1885The Art Institute of Chicago
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
The Basket of Apples, Paul Cezanne
The Basket of ApplesPaul Cezannec. 1893The Art Institute of Chicago
Madame Cezanne in a Yellow Chair, Paul Cezanne
Madame Cezanne in a Yellow ChairPaul Cezanne1888–90The Art Institute of Chicago
The Bathers, Paul Cezanne
The BathersPaul Cezanne1899-1904The Art Institute of Chicago
The Three Skulls, Paul Cezanne
The Three SkullsPaul Cezanne1902/06The Art Institute of Chicago

Within fifty years of c. 1877

4143
Still Life—Strawberries, Nuts, &c., Raphaelle Peale
Still Life—Strawberries, Nuts, &c.Raphaelle Peale1822The Art Institute of Chicago
Print, Unknown
PrintUnknown1822Cooper Hewitt, Smithsonian Design Museum
Sampler, Tomasa Ferro
SamplerTomasa Ferro1822Cooper Hewitt, Smithsonian Design Museum
Portrait of a Child, Samuel Worcester Rowse, American, 1822 - 1901
Portrait of a ChildSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
Portrait of a Young Girl, Samuel Worcester Rowse, American, 1822 - 1901
Portrait of a Young GirlSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
Portrait of a Young Girl, Samuel Worcester Rowse, American, 1822 - 1901
Portrait of a Young GirlSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
Frieze and Ornamental Bor, Gottfried Engelmann, 1788 – 1839
Frieze and Ornamental BorGottfried Engelmann, 1788 – 18391822Cooper Hewitt, Smithsonian Design Museum
Self-Portrait by Dürer, François Forster, French, 1790 - 1872
Self-Portrait by DürerFrançois Forster, French, 1790 - 1872ca. 1822Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

475
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago
Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

6 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Basket of Apples, Paul Cezanne
The Basket of ApplesPaul Cezannec. 1893The Art Institute of Chicago
0.88
Grapes, Lemons, Pears, and Apples, Vincent van Gogh
Grapes, Lemons, Pears, and ApplesVincent van Gogh1887The Art Institute of Chicago
0.87
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
0.85
Still Life with Apples and a Pot of Primroses, Paul Cézanne
Still Life with Apples and a Pot of PrimrosesPaul Cézanneca. 1890Metropolitan Museum of Art, New York, NY
0.84
Apples, Henri Matisse
ApplesHenri Matisse1916The Art Institute of Chicago
0.84
Still Life with Flowers and Prickly Pears, Auguste Renoir
Still Life with Flowers and Prickly PearsAuguste Renoirca. 1885Metropolitan Museum of Art, New York, NY
0.83

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

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