The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso) — Francesco Allegrini, 1624–63

The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Holder's headings: Angels, Adam, Eve

Means

No reading yet.

Rights

Credit: Gift of Cornelius Vanderbilt, 1880
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 338031 (read 2026-09-16)
Record: https://www.metmuseum.org/art/collection/search/338031

Within fifty years of 1624–63

919

Mercurii Trismegisti Pimandras utraque lingua restitutus, Hermes — Mercurii Trismegisti Pimandras utraque lingua restitutusHermes1574Stiftung der Werke von C.G.Jung, Zürich

Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ..., Thurneysser zum Thurn, Leonhardt — Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ...Thurneysser zum Thurn, Leonhardt1574Stiftung der Werke von C.G.Jung, Zürich

Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ..., Bernardus — Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ...Bernardus1574Stiftung der Werke von C.G.Jung, Zürich

Door Boss: Bust of a Satyress, Northern Italian — Door Boss: Bust of a SatyressNorthern Italianc. 1580The Art Institute of Chicago

One of the Set of the Four Evangelists: Mark, Alessandro Vittoria — One of the Set of the Four Evangelists: MarkAlessandro VittoriaModeled c. 1580The Art Institute of Chicago

Sacrifice of Noah, Bernard Salomon — Sacrifice of NoahBernard Salomonca. 1580–1610Metropolitan Museum of Art, New York, NY

Collar (Made from Border), Italy — Collar (Made from Border)Italy1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1625The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

674

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio — Perseus with the Head of Medusa, Turning Phineus and his Followers to StonePolidoro da Caravaggio1567The Art Institute of Chicago

0.90

Two Men Tying a Bundle (recto), Anonymous — Two Men Tying a Bundle (recto)Anonymous1600sCleveland Museum of Art

0.89

Design for a Book Illustration, Unknown — Design for a Book IllustrationUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum

0.88

Sketch for a Mural, Francis Augustus Lathrop, American, 1849–1909 — Sketch for a MuralFrancis Augustus Lathrop, American, 1849–1909ca. 1895Cooper Hewitt, Smithsonian Design Museum

0.87

Three Nude men, Giuseppe Bernardino Bison, Italian, 1762 - 1844 — Three Nude menGiuseppe Bernardino Bison, Italian, 1762 - 1844late 18th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Figures Attacked by Serpents, Raymond Lafage, French, 1656–1684 — Figures Attacked by SerpentsRaymond Lafage, French, 1656–16841800–25Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231795–1820Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the seventeenth century, like The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso).

0:00–0:00