place

Spain

45 works · 1115 to 1905 · tgn:1000095

2 of 47 ids checked against the country Wikidata records named a different concept (4.3%), read 2026-09-08

Spain: The Art Institute of Chicago and Cleveland Museum of Art41
Spanish: Metropolitan Museum of Art, New York, NY4
Getty: EspañaThesaurus of Geographic Names 1000095

Plaque with the Journey to Emmaus and Noli Me Tangere, Unknown — Plaque with the Journey to Emmaus and Noli Me TangereUnknownca. 1115–20Metropolitan Museum of Art, New York, NY

Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Unknown — Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the DeathlessUnknownca. 1180Metropolitan Museum of Art, New York, NY

Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, Unknown — Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a BookUnknownca. 1180Metropolitan Museum of Art, New York, NY

Lion, Unknown — LionUnknownafter 1200Metropolitan Museum of Art, New York, NY

Saint George and the Dragon, Bernat Martorell — Saint George and the DragonBernat Martorell1434–35The Art Institute of Chicago

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, Martin de Soria — Saint Christopher Meets Satan; Saint Christopher before the King of LyciaMartin de Soria1480–85The Art Institute of Chicago

Orphrey, Spain — OrphreySpain16th centuryThe Art Institute of Chicago

Still Life with Game Fowl, Juan Sánchez Cotán — Still Life with Game FowlJuan Sánchez Cotánc. 1600–3The Art Institute of Chicago

Kitchen Scene, Diego Velázquez — Kitchen SceneDiego Velázquez1618–20The Art Institute of Chicago

The Crucifixion, Francisco de Zurbarán — The CrucifixionFrancisco de Zurbarán1627The Art Institute of Chicago

Portrait of Philip IV, Workshop of Diego Rodriguez de Velázquez — Portrait of Philip IVWorkshop of Diego Rodriguez de Velázquezc. 1632The Art Institute of Chicago

Isabella of Bourbon, Wife of Philip IV of Spain, Workshop of Diego Rodriguez de Velázquez — Isabella of Bourbon, Wife of Philip IV of SpainWorkshop of Diego Rodriguez de Velázquezc. 1632The Art Institute of Chicago

Penitent Saint Peter, Jusepe de Ribera — Penitent Saint PeterJusepe de Riberac. 1630The Art Institute of Chicago

Portrait of the Jester Calabazas, Diego Velázquez (Spanish, 1599–1660) — Portrait of the Jester CalabazasDiego Velázquez (Spanish, 1599–1660)c. 1631–32Cleveland Museum of Art

Flowers and Fruit in a Porcelain Bowl, Juan de Zurbarán — Flowers and Fruit in a Porcelain BowlJuan de Zurbaránc. 1645The Art Institute of Chicago

A Dwarf, Francisco José de Goya y Lucientes — A DwarfFrancisco José de Goya y Lucientes1778The Art Institute of Chicago

The Drunkards, Francisco José de Goya y Lucientes — The DrunkardsFrancisco José de Goya y Lucientes1778The Art Institute of Chicago

Winter Scene, Francisco José de Goya y Lucientes — Winter SceneFrancisco José de Goya y Lucientesc. 1786The Art Institute of Chicago

Boy on a Ram, Francisco José de Goya y Lucientes — Boy on a RamFrancisco José de Goya y Lucientes1786–87The Art Institute of Chicago

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828) — Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Saint Ambrose, Francisco de Goya (Spanish, 1746–1828) — Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes — Francisco de Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos, Francisco José de Goya y Lucientes — The Sleep of Reason Produces Monsters, plate 43 from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes — Francisco Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828) — They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828) — A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

Friar Pedro Shoots El Maragato as His Horse Runs Off, Francisco José de Goya y Lucientes — Friar Pedro Shoots El Maragato as His Horse Runs OffFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco José de Goya y Lucientes — El Maragato Threatens Friar Pedro de Zaldivia with His GunFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago

Friar Pedro Binds El Maragato with a Rope, Francisco José de Goya y Lucientes — Friar Pedro Binds El Maragato with a RopeFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, Francisco José de Goya y Lucientes — Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His GunFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago

Portrait of General José Manuel Romero, Francisco José de Goya y Lucientes — Portrait of General José Manuel RomeroFrancisco José de Goya y Lucientesc. 1810The Art Institute of Chicago

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes — Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago

Be Careful with that Step!, Francisco José de Goya y Lucientes — Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago

The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art

Portrait of Don Juan Antonio Cuervo, Francisco de Goya (Spanish, 1746–1828) — Portrait of Don Juan Antonio CuervoFrancisco de Goya (Spanish, 1746–1828)1819Cleveland Museum of Art

The Frugal Meal, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — The Frugal MealPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)September 1904, printed 1913Cleveland Museum of Art

Salomé, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — SaloméPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art

The Mother at Her Toilette, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — The Mother at Her ToilettePablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art

The Poor, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — The PoorPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art

At the Circus, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — At the CircusPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)winter 1905–6, printed 1913Cleveland Museum of Art

Head of a Woman: Madeleine, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939) — Head of a Woman: MadeleinePablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art

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