The Mother at Her Toilette, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)

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Rights

Credit
Dudley P. Allen Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 111389 (read 2026-08-27)
Record
https://clevelandart.org/art/1929.891
The Mother at Her Toilette, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
The Mother at Her Toilette — Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913

Also by Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)

5
The Frugal Meal, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
The Frugal MealPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)September 1904, printed 1913Cleveland Museum of Art
Salomé, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
SaloméPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art
The Poor, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
The PoorPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art
At the Circus, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
At the CircusPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)winter 1905–6, printed 1913Cleveland Museum of Art
Head of a Woman: Madeleine, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
Head of a Woman: MadeleinePablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art

Within fifty years of 1905, printed 1913

3473
Young Spartan Girls Challenging Boys, Hilaire Germain Edgar Degas
Young Spartan Girls Challenging BoysHilaire Germain Edgar Degasc. 1860The Art Institute of Chicago
Villerville Seen from Le Ratier, Charles François Daubigny (French, 1817–1878)
Villerville Seen from Le RatierCharles François Daubigny (French, 1817–1878)1855Cleveland Museum of Art
Imperial Presentation Box with Napoleon III's Cipher, Alexandre-Gabriel Lemonnier, French, 1808 - 1894
Imperial Presentation Box with Napoleon III's CipherAlexandre-Gabriel Lemonnier, French, 1808 - 1894ca. 1855Cooper Hewitt, Smithsonian Design Museum
Jewelry Design, Eugène-Samuel Grasset
Jewelry DesignEugène-Samuel Grassetn.d.Metropolitan Museum of Art, New York, NY
Sidewall, Unknown
SidewallUnknownca. 1855Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1855–75Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1855Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1855Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

412
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Salomé, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
SaloméPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art
0.86
Figures, Robert Frederick Blum, American, 1857–1903
FiguresRobert Frederick Blum, American, 1857–1903n.d.Cooper Hewitt, Smithsonian Design Museum
0.86
Study, Jean Auguste Dominique Ingres
StudyJean Auguste Dominique Ingresc. 1842The Art Institute of Chicago
0.85
Caricature, Robert Frederick Blum, American, 1857–1903
CaricatureRobert Frederick Blum, American, 1857–19031877Cooper Hewitt, Smithsonian Design Museum
0.85
Man, Robert Frederick Blum, American, 1857–1903
ManRobert Frederick Blum, American, 1857–19031881Cooper Hewitt, Smithsonian Design Museum
0.85
Sketch of Female Nude, James Wells Champney, American, 1843–1903
Sketch of Female NudeJames Wells Champney, American, 1843–1903ca. 1890Cooper Hewitt, Smithsonian Design Museum
0.84
Man, Robert Frederick Blum, American, 1857–1903
ManRobert Frederick Blum, American, 1857–19031880Cooper Hewitt, Smithsonian Design Museum
0.84
Standing Female Nude, James Wells Champney, American, 1843–1903
Standing Female NudeJames Wells Champney, American, 1843–1903ca. 1890Cooper Hewitt, Smithsonian Design Museum
0.84

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Concerning the Spiritual in Art · Wassily Kandinsky

    But in the work of another great artist in Paris, the Spaniard Pablo Picasso, there is never any suspicion of this conventional beauty. Tossed hither and thither by the need for self-expression, Picasso hurries from one manner to another. At times a great gulf appears between consecutive manners, because Picasso leaps boldly and is found continually by his bewildered crowd of followers standing at a point very different from that at which they saw him last. No sooner do they think that they have reached him again than he has
    0.70

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Made in the twentieth century, like The Mother at Her Toilette.

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