Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma — Giovanni Battista Piranesi, Italian, 1720–1778, 1762

Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720–1778

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Rights

Credit: Purchase in memory of Eleanor and Sarah Hewitt
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1956-15-1 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/113836

Also by Giovanni Battista Piranesi, Italian, 1720–1778

3

Carceri Series, Plate XV, Giovanni Battista Piranesi, Italian, 1720–1778 — Carceri Series, Plate XVGiovanni Battista Piranesi, Italian, 1720–17781745Cooper Hewitt, Smithsonian Design Museum

Etching. Figural letter. Capital S., Giovanni Battista Piranesi, Italian, 1720–1778 — Etching. Figural letter. Capital S.Giovanni Battista Piranesi, Italian, 1720–1778ca. 1770Cooper Hewitt, Smithsonian Design Museum

The Gothic Arch, Giovanni Battista Piranesi, Italian, 1720–1778 — The Gothic ArchGiovanni Battista Piranesi, Italian, 1720–17781835-1839Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1762

2807

Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy, Giacomo del Po, Italian, 1652 - 1726 — Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, ItalyGiacomo del Po, Italian, 1652 - 1726ca. 1712Cooper Hewitt, Smithsonian Design Museum

vase stand, Cornelius Funcke — vase standCornelius Funckeca. 1712Cooper Hewitt, Smithsonian Design Museum

The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ...., Antoine Joseph Dézallier d'Argenville — The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ....Antoine Joseph Dézallier d'Argenville1712Metropolitan Museum of Art, New York, NY

Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen Schrifften, Naxagoras, Ehrd de — Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen SchrifftenNaxagoras, Ehrd de1712Stiftung der Werke von C.G.Jung, Zürich, online

Face du Train de derrière du Premier Carrosse doré, Bernard Picart, 1673–1733 — Face du Train de derrière du Premier Carrosse doréBernard Picart, 1673–17331713Cooper Hewitt, Smithsonian Design Museum

Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742 — Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum

Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ..., Männling, Johann Christoph — Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ...Männling, Johann Christoph1714Stiftung der Werke von C.G.Jung, Zürich, online

Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ..., Masen, Jacob — Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ...Masen, Jacob1714Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cooper Hewitt, Smithsonian Design Museum

7631

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Next

Made in the eighteenth century, like Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma.

The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750
Study of the Lamentation on the Dead Christ1780

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