Sessions28
  1. Part IEditorial
  2. 01Tue Aug 25Course Introduction
  3. 02Thu Aug 27Reading an Editorial Brief
  4. 03Tue Sep 1The Pen Tool
  5. 04Thu Sep 3Thumbnail Review
  6. 05Tue Sep 8Shape Building and Pathfinder
  7. 06Thu Sep 10Color Systems
  8. 07Tue Sep 15Type and Image
  9. 08Thu Sep 17Project 1 Hand-In, Project 2 Opens
  10. 09Tue Sep 22Capturing a Drawing
  11. 10Thu Sep 24Starting the Drawing
  12. 11Tue Sep 29Brushes From Your Own Marks
  13. 12Thu Oct 1Capture and Check-in
  14. 13Tue Oct 6Color for Print
  15. 14Thu Oct 8Setting Up for Screenprint
  16. Oct 13No class
  17. 15Thu Oct 15Project 2 Critique
  18. Part IISurface and Motion
  19. 16Tue Oct 20Package Structure and the Dieline
  20. 17Thu Oct 22Illustration on a Dieline
  21. 18Tue Oct 27Pattern and Repeat
  22. 19Thu Oct 29Mockups
  23. 20Tue Nov 3Print Production
  24. 21Thu Nov 5Project 3 Critique
  25. 22Tue Nov 10Illustration in Motion
  26. 23Thu Nov 12Preparing Artwork to Move
  27. 24Tue Nov 17Timing and Easing
  28. 25Thu Nov 19Loops and Export
  29. 26Tue Nov 24Rough Loop Review
  30. Nov 26No class
  31. 27Tue Dec 1Final Work Session
  32. 28Thu Dec 3Final Work Session and Export Check

ART 220 · Session 10 of 28 · Part I · Editorial

ART 220 10: Starting the Drawing

Thursday, September 24

Thumbnails on the wall first: everyone's refined sheet pinned up, one question each, what is it for and the one thing to fix, then a word about the work between now and the critique. Then the drawing starts, from the chosen thumbnail onto the full sheet, 9 by 12 or bigger, and that is most of the day. While you draw: Tomer Hanuka, the artist of the day, who draws and inks by hand and colors on the computer, and then the basics of shadow and texture in Illustrator and in Photoshop, so you know where the drawing goes after it is scanned. Tuesday is scanning and importing. The drawing is due finished Thursday, October 1, scanned and turned in that day.

0 of 2 read

Click the slides, then arrow keys. F for full screen.Open in its own tabThe slides as a PDF

Read before this class

  1. The brief
  2. Successful Drawingoptional reference, free on the Internet Archive

Due

Artist of the day

Tomer Hanuka

b. 1974

Drawn and inked by hand, colored on the computer. Every shadow is a shape and every texture stays inside one: the path this project takes after the scan.

Israeli illustrator, based in New York. Film posters for Mondo and covers for The New Yorker: full scenes, many things in the frame, held together by one color plan and one idea. Studied in ART 220 for the scene page.

Look at

  • PortfolioHis own site

    Film posters and covers. Every one is a scene with one idea in it and a color plan you can count.

Tomer Hanuka in the library

Materials

Reference

  • Tomer HanukaFilm posters and covers. Look for the inked line, the shadow shapes, and where the texture stops.

Materials

  • The mark sheetFrom Tuesday. Boxes 04 to 08 and 10 to 11 are the shading and textures your poster will use. Scan it at 600 if you have not.

Assigned today

0:00–0:00