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An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543. — Andreas Vesalius; John Tinney1842Also by Andreas Vesalius; John Tinney
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A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from behind, with an additional seated figure in the bottom left-hand corner. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome CollectionWithin fifty years of 1842
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Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Mark PringleSir William Beecheyc. 1797The Art Institute of Chicago
Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
République Française Liberté ÉgalitéUnknownca. 1792Cooper Hewitt, Smithsonian Design Museum
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, RomeFelice Giani, Italian, 1758–18231792Cooper Hewitt, Smithsonian Design Museum
Precinct of a PalaceGiuseppe Barberi, Italian, 1746–18091792Cooper Hewitt, Smithsonian Design Museum
Memorial StructureGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
'Behold him, when past by; what then is seen' (Page 25)William Blakeca. 1797Yale Center for British ArtAlso at Wellcome Collection
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An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.Christoph Murer1622Wellcome Collection
Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn.Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.[1654]Wellcome Collection
An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672.Isbrand van Diemerbroeck1672Wellcome Collection
Muscles of the face and neck. Engraving, 1686.Steven Blankaart; Govert Bidloo[1686]Wellcome Collection
The base of the brain with part of the medulla oblongata, the blood vessels injected with wax, and the cerebellum (Table XII, figs 1-2), after Cowper in Ridley (1695); the foetal heart, the larynx and the viscera (Table XIII), after an etching by G. Vandergucht in Cheselden (1740) Etching by I. Basire, 1743.Isaac Basire; Robert James; Humphrey Ridley; William Cheselden; Gerard Vandergucht; William Cowper[1743]Wellcome Collection
A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543.Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century[1769]Wellcome Collection
A yellow iris (Iris variegata): flower and leaf. Coloured engraving by J. Sowerby, c. 1787, after himself.James Sowerby; William Curtis1787Wellcome Collection
A houseleek (Sempervivum arachnoideum): flowering plant. Coloured engraving, c. 1788.William Curtis1788Wellcome Collection
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Made in the nineteenth century, like An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543..