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A plant (Monsonia speciosa): flowering stem and leaf Coloured engraving, c. 1789. — William Curtis1 February 1789Within fifty years of 1 February 1789
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DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce SalonFrançois Baillieul, French, 1697? – 1754after 1739Cooper Hewitt, Smithsonian Design Museum
DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy.Jacques-François Blondel, French, 1705–1774after 1739Cooper Hewitt, Smithsonian Design Museum
Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords"Gravelot, French, 1699 - 1773, active in Englandca. 1739Cooper Hewitt, Smithsonian Design Museum
Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo (Italian, 1696–1770)1739Cleveland Museum of Art
FragmentFrancec. 1750The Art Institute of Chicago
Drawing, NudeDomenico Corvi, Italian, 1721 - 1803ca. 1740Cooper Hewitt, Smithsonian Design Museum
Floral DesignUnknown1740–70Cooper Hewitt, Smithsonian Design Museum
Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster TheilBellay, French, active from 1734ca. 1740-1762Cooper Hewitt, Smithsonian Design MuseumAlso at Wellcome Collection
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An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.Christoph Murer1622Wellcome Collection
Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn.Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.[1654]Wellcome Collection
An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672.Isbrand van Diemerbroeck1672Wellcome Collection
Muscles of the face and neck. Engraving, 1686.Steven Blankaart; Govert Bidloo[1686]Wellcome Collection
A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from behind, with an additional seated figure in the bottom left-hand corner. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
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Made in the eighteenth century, like A plant (Monsonia speciosa): flowering stem and leaf Coloured engraving, c. 1789..
