Border — Unknown, 1820–50

Border, Unknown

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Rights

Credit: Gift of The Museum at The Fashion Institute of Technology
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1998-75-121 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/213706

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1820–50

2134

The Island of San Michele, Venice, Francesco Guardi — The Island of San Michele, VeniceFrancesco Guardi1770sMetropolitan Museum of Art, New York, NY

Watch case, George Harrison — Watch caseGeorge Harrisonprobably ca. 1770Metropolitan Museum of Art, New York, NY

Design for the Trade Card of Arrivet, Paris, Unfinished, J. Arrivet, French, active 1776 - 1779 — Design for the Trade Card of Arrivet, Paris, UnfinishedJ. Arrivet, French, active 1776 - 1779ca. 1770Cooper Hewitt, Smithsonian Design Museum

Design for a Pair of Trophies, Jean-Charles Delafosse, French, 1734 – 1789 — Design for a Pair of TrophiesJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum

Chinoiserie Fantasy, Jean-Baptiste Pillement, French, 1728–1808 — Chinoiserie FantasyJean-Baptiste Pillement, French, 1728–18081770–90Cooper Hewitt, Smithsonian Design Museum

ART DU BRODEUR, Charles-Germain de Saint-Aubin, French, 1721–1786 — ART DU BRODEURCharles-Germain de Saint-Aubin, French, 1721–17861770Cooper Hewitt, Smithsonian Design Museum

ART DU BRODEUR, Charles-Germain de Saint-Aubin, French, 1721–1786 — ART DU BRODEURCharles-Germain de Saint-Aubin, French, 1721–17861770Cooper Hewitt, Smithsonian Design Museum

Plan Général des Batiments Jardins et dépendances d’un projet fait sur un terrain situé a 14 Lieux de Munich, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Plan Général des Batiments Jardins et dépendances d’un projet fait sur un terrain situé a 14 Lieux de MunichFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681770Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3573

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Border, Unknown — BorderUnknown1820–50Cooper Hewitt, Smithsonian Design Museum

0.91

Ornament Design, Altar Dedicated to Mars between Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

0.90

Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752 — Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds)Daniel Marot, French, active in the Netherlands and England, 1661–1752ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.89

Wall Decoration, Plate IX from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), Giovanni Ottaviani, ca. 1735 – 1808 — Wall Decoration, Plate IX from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)Giovanni Ottaviani, ca. 1735 – 18081772–77Cooper Hewitt, Smithsonian Design Museum

0.88

Ornament Design, Altar Dedicated to Mars between Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

0.88

Friezes, Panels and Ornam, Gottfried Engelmann, 1788 – 1839 — Friezes, Panels and OrnamGottfried Engelmann, 1788 – 18391823Cooper Hewitt, Smithsonian Design Museum

0.87

Design for Decorative Panel for July Festival Architecture, Félix Duban, French, 1797 - 1870 — Design for Decorative Panel for July Festival ArchitectureFélix Duban, French, 1797 - 18701834Cooper Hewitt, Smithsonian Design Museum

0.87

Allées en gazon pour les Therasse Sableux (Grass Walkways, Sandy Terraces), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752 — Allées en gazon pour les Therasse Sableux (Grass Walkways, Sandy Terraces), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds)Daniel Marot, French, active in the Netherlands and England, 1661–1752ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the nineteenth century, like Border.

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