Face du Train de derrière du Premier Carrosse doré, Bernard Picart, 1673–1733

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Rights

Credit
Purchased for the Museum by the Advisory Council
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1921-6-276-3 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/28923
Face du Train de derrière du Premier Carrosse doré, Bernard Picart, 1673–1733
Face du Train de derrière du Premier Carrosse doré — Bernard Picart, 1673–17331713

Also by Bernard Picart, 1673–1733

1
Ornament Design, Bernard Picart, 1673–1733
Ornament DesignBernard Picart, 1673–1733Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1713

1723
The Fall of the Giants, Salvator Rosa
The Fall of the GiantsSalvator Rosa1663The Art Institute of Chicago
Three Women and a Man in the Courtyard behind a House, Pieter de Hooch
Three Women and a Man in the Courtyard behind a HousePieter de Hoochc. 1663 - c. 1665Rijksmuseum
Woman in Blue Reading a Letter, Johannes Vermeer
Woman in Blue Reading a LetterJohannes Vermeerc. 1663Rijksmuseum
Interior with Women beside a Linen Cupboard, Pieter de Hooch
Interior with Women beside a Linen CupboardPieter de Hooch1663Rijksmuseum
Two Frieze Designs, Jean Le Pautre, French, 1618–1682
Two Frieze DesignsJean Le Pautre, French, 1618–16821663Cooper Hewitt, Smithsonian Design Museum
Two Frieze Designs, Jean Le Pautre, French, 1618–1682
Two Frieze DesignsJean Le Pautre, French, 1618–16821663Cooper Hewitt, Smithsonian Design Museum
Two Frieze Designs, Jean Le Pautre, French, 1618–1682
Two Frieze DesignsJean Le Pautre, French, 1618–16821663Cooper Hewitt, Smithsonian Design Museum
Two Frieze Designs, Jean Le Pautre, French, 1618–1682
Two Frieze DesignsJean Le Pautre, French, 1618–16821663Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

8611
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.91
Panel Design of Grotesque Ornamentation, Jean Berain, the elder, French, 1640-1711
Panel Design of Grotesque OrnamentationJean Berain, the elder, French, 1640-17111711Cooper Hewitt, Smithsonian Design Museum
0.91
Designs for Gun Parts and Ornament, François Marcou, French, 1595 – 1660
Designs for Gun Parts and OrnamentFrançois Marcou, French, 1595 – 16601657Cooper Hewitt, Smithsonian Design Museum
0.91
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.91
Fantastical Garden Ornament Design, François-Thomas Mondon, French, 1709 – 1755
Fantastical Garden Ornament DesignFrançois-Thomas Mondon, French, 1709 – 17551736Cooper Hewitt, Smithsonian Design Museum
0.90
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.90
Designs for Fountains, Gilles-Marie Oppenord, French, 1672–1742
Designs for FountainsGilles-Marie Oppenord, French, 1672–17421749-1761Cooper Hewitt, Smithsonian Design Museum
0.90
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.90

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Printing types, their history, forms, and use · Daniel Berkeley n 80056743 Updike

    Bernard Picart, a French engraver and seller of prints who resided at Amsterdam after 1710, contributed a decorative note to early eighteenth century Dutch printing. An 1 Stockum’s La Librairie, VIvip.rim.erie et la Presse en Hollande d. travel's Quatre SiZcles, facs. 153, 154. 34 PRINTING TYPES example of his work is the (Euvres Diverses de M. de Fontenelle , published in 1728 at The Hague by Gosse and Neaulme. The book is full of Picarfis exquisite engraved decorations, and is (except for the tiresome type border on every page) printed
    0.69

Next

Made in the eighteenth century, like Face du Train de derrière du Premier Carrosse doré.

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