The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ...., Antoine Joseph Dézallier d'Argenville

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Presented in memory of Daniel W. Langton, Landscape Architect, by Mrs. Langton
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 591839 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/591839
The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ...., Antoine Joseph Dézallier d'Argenville
The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. .... — Antoine Joseph Dézallier d'Argenville1712

Within fifty years of 1712

1718
Louis Phélypeaux de la Vrillière, Robert Nanteuil
Louis Phélypeaux de la VrillièreRobert Nanteuil1662The Art Institute of Chicago
The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’, Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’Rembrandt van Rijn1662Rijksmuseum
Beaker, Unknown
BeakerUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum
Vase, Unknown
VaseUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum
Beaker, Unknown
BeakerUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum
Pair of bowls, Unknown
Pair of bowlsUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum
Young Woman with a Lute, Johannes Vermeer
Young Woman with a LuteJohannes Vermeerca. 1662–63Metropolitan Museum of Art, New York, NY
The Fall of the Giants, Salvator Rosa
The Fall of the GiantsSalvator Rosa1663The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

688
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Bound print, Unknown
Bound printUnknownCooper Hewitt, Smithsonian Design Museum
0.90
Bound print, Unknown
Bound printUnknownCooper Hewitt, Smithsonian Design Museum
0.88
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.88
Plan du Jardin du Palais des Thuilleries de l’invention de Mr. Le Nôtre comme il est à present, Nicolas Langlois, French, 1640 - 1703
Plan du Jardin du Palais des Thuilleries de l’invention de Mr. Le Nôtre comme il est à presentNicolas Langlois, French, 1640 - 1703late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.87
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.87
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.87
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.87
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.87

Next

Made in the eighteenth century, like The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. .....

0:00–0:00