Page of Text, Printed on Recto and Verso, Louis-Joseph Le Lorrain, French, 1715–1759

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Purchased for the Museum by the Advisory Council
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CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1921-6-207-40 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/244257
Page of Text, Printed on Recto and Verso, Louis-Joseph Le Lorrain, French, 1715–1759
Page of Text, Printed on Recto and Verso — Louis-Joseph Le Lorrain, French, 1715–17591751

Also by Louis-Joseph Le Lorrain, French, 1715–1759

1
Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759
Architectural Fantasy with Fountain and ObeliskLouis-Joseph Le Lorrain, French, 1715–17591762Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1751

2692
Illuminated Initial "N" with Acanthus Leaves from a Choirbook, European (possibly France)
Illuminated Initial "N" with Acanthus Leaves from a ChoirbookEuropean (possibly France)18th or 19th centuryThe Art Institute of Chicago
Panel, France or England
PanelFrance or EnglandEarly 18th centuryThe Art Institute of Chicago
Bell-Shaped Huqqa Base with Floral Design, India
Deccan
Bell-Shaped Huqqa Base with Floral DesignIndia Deccan18th/19th centuryThe Art Institute of Chicago
Project of a twisted column, Unknown
Project of a twisted columnUnknown1701–50Cooper Hewitt, Smithsonian Design Museum
Book Binding, Islamic
Book BindingIslamicQajar dynasty (1796–1925), 1822, 18th/19th centuryThe Art Institute of Chicago
Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal
Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago
Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal
Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago
One of a Pair of Magical Charms (Dharani) Manuscript Covers, Nepal
One of a Pair of Magical Charms (Dharani) Manuscript CoversNepal18th centuryThe Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

7722
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Title Page, Jacques Fouquet, French, active 1685 – 1704
Title PageJacques Fouquet, French, active 1685 – 17041707–44Cooper Hewitt, Smithsonian Design Museum
0.85
Title Page, Gilles-Marie Oppenord, French, 1672–1742
Title PageGilles-Marie Oppenord, French, 1672–17421729–61Cooper Hewitt, Smithsonian Design Museum
0.84
Title Page, Jean-Bernard Turreau, French, 1672 - 1731
Title PageJean-Bernard Turreau, French, 1672 - 17311716Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.84
Title Page, Pierre Moreau, French, 1722 – 1798
Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum
0.84
Title Page, Robert Menge Pariset, French, active 1732 – 1762
Title PageRobert Menge Pariset, French, active 1732 – 1762mid- 18th centuryCooper Hewitt, Smithsonian Design Museum
0.84

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Made in the eighteenth century, like Page of Text, Printed on Recto and Verso.

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