Poster for a performance by Henri Huerta — Anonymous, 1871

Poster for a performance by Henri Huerta, Anonymous

Seen

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Means

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Rights

Credit: Purchase, Barbara Tober Gift, 2025
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 916228 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/916228

Also by Anonymous

3

Two Men Tying a Bundle (recto), Anonymous — Two Men Tying a Bundle (recto)Anonymous1600sCleveland Museum of Art

Five Figure Studies (verso), Anonymous — Five Figure Studies (verso)Anonymous1600sCleveland Museum of Art

Poster for Raynaud Frères, Anonymous — Poster for Raynaud FrèresAnonymous1841Metropolitan Museum of Art, New York, NY

Within fifty years of 1871

4158

Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy, Felice Giani, Italian, 1758–1823 — Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator MundyFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Le Romain, Jean-Baptiste Huet, French, 1745 – 1811 — Le RomainJean-Baptiste Huet, French, 1745 – 18111821Cooper Hewitt, Smithsonian Design Museum

The Four Evangelists, Study after Giambologna, Felice Giani, Italian, 1758–1823 — The Four Evangelists, Study after GiambolognaFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823 — Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini, Felice Giani, Italian, 1758–1823 — Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Venus and Cupid, Study after Annibale Carracci, Felice Giani, Italian, 1758–1823 — Venus and Cupid, Study after Annibale CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Three Herms, Studies after Carracci, Felice Giani, Italian, 1758–1823 — Three Herms, Studies after CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini, Felice Giani, Italian, 1758–1823 — Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

502

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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Made in the nineteenth century, like Poster for a performance by Henri Huerta.

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