Poster for Raynaud Frères — Anonymous, 1841

Poster for Raynaud Frères, Anonymous

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Horses, Ships

Means

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Rights

Credit: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 433565 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/433565

Also by Anonymous

3

Two Men Tying a Bundle (recto), Anonymous — Two Men Tying a Bundle (recto)Anonymous1600sCleveland Museum of Art

Five Figure Studies (verso), Anonymous — Five Figure Studies (verso)Anonymous1600sCleveland Museum of Art

Poster for a performance by Henri Huerta, Anonymous — Poster for a performance by Henri HuertaAnonymous1871Metropolitan Museum of Art, New York, NY

Within fifty years of 1841

3878

Self-Portrait, Goya (Francisco de Goya y Lucientes) — Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY

A Sleeping Leopard, George Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806) — A Sleeping LeopardGeorge Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806)1791Cleveland Museum of Art

Textile, Unknown — TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum

COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine., Louis-Gustave Taraval, French, 1738 – 1794 — COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine.Louis-Gustave Taraval, French, 1738 – 1794ca. 1791Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) — Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY

Mark Pringle, Sir William Beechey — Mark PringleSir William Beecheyc. 1797The Art Institute of Chicago

Two Elevations of a Palace, Giuseppe Barberi, Italian, 1746–1809 — Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

481

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Made in the nineteenth century, like Poster for Raynaud Frères.

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