“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

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Credit: Gift of Charles H. Worcester. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 3376 (read 2026-09-01)
Record: https://www.artic.edu/artworks/3376
IIIF: manifest

Also by Honoré-Victorin Daumier

Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle, Honoré-Victorin Daumier — Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelleHonoré-Victorin DaumierOctober 2, 1834The Art Institute of Chicago

"Fire!", plate 35 from Types Parisiens, Honoré-Victorin Daumier — "Fire!", plate 35 from Types ParisiensHonoré-Victorin Daumier1839The Art Institute of Chicago

"It fits you like a glove!," plate 34 from Types Parisiens, Honoré-Victorin Daumier — "It fits you like a glove!," plate 34 from Types ParisiensHonoré-Victorin Daumier1839The Art Institute of Chicago

“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens, Honoré-Victorin Daumier — “- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types ParisiensHonoré-Victorin Daumier1840The Art Institute of Chicago

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, Honoré-Victorin Daumier — “- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”Honoré-Victorin Daumier1848The Art Institute of Chicago

The Print Collector, Honoré-Victorin Daumier — The Print CollectorHonoré-Victorin Daumierc. 1860The Art Institute of Chicago

"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857, Honoré-Victorin Daumier — "- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857Honoré-Victorin Daumier1857The Art Institute of Chicago

Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes, Honoré-Victorin Daumier — Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistesHonoré-Victorin Daumier1862The Art Institute of Chicago

Within fifty years of 1857

4340

Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832 — Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Punch ladle, S A — Punch ladleS A1808Cooper Hewitt, Smithsonian Design Museum

Textile, Jean-Baptiste Huët, French, 1745–1811 — TextileJean-Baptiste Huët, French, 1745–18111808Cooper Hewitt, Smithsonian Design Museum

Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827 — Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

483

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

Ring with a Scarab Bezel, Ancient Egyptian — Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago

Fragment of a Stela of Neferhotep, Ancient Egyptian — Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago

Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

Cauldron, China — CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago

Coffin and Mummy of Paankhaenamun, Ancient Egyptian — Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago

Relief Showing the Head of a Winged Genius, Neo-Assyrian — Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago

Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

0.90

Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier — Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857Honoré DaumierApril 18, 1857Metropolitan Museum of Art, New York, NY

0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

The international studio · John Lane
at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
0.71

Honoré-Victorin Daumier made “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse, and made these too.

Family Scene1865

Made in the nineteenth century, like “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse.

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