Khusrau and Shirin, Hatifi

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Battles, Men, Hunting, Dogs, Horses, Lions
Wikidata depicts
man

Means

No reading yet.


Rights

Credit
Harris Brisbane Dick Fund, 1969
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 452037 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/452037
Khusrau and Shirin, Hatifi
Khusrau and Shirin — Hatifidated 904 AH/1498–99 CE

Within fifty years of dated 904 AH/1498–99 CE

327
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet
The Right Hand of God Protecting the Faithful against the DemonsJean Fouquetca. 1452–60Metropolitan Museum of Art, New York, NY
Madonna and Child with Angels, Antonio Rossellino
Madonna and Child with AngelsAntonio Rossellinoca. 1455–60Metropolitan Museum of Art, New York, NY
Minature Handled Bowl with Textile-like Design, Inca
Minature Handled Bowl with Textile-like DesignInca1450–1532The Art Institute of Chicago
Ritual Impersonator of the Deity Xipe Totec, Mexica (Aztec)
Ritual Impersonator of the Deity Xipe TotecMexica (Aztec)1450–1500The Art Institute of Chicago
Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, Master of the Riccardiana Lactantius
Manuscript Leaf with the Trinity in an Initial G, from an AntiphonaryMaster of the Riccardiana Lactantiussecond half 15th centuryMetropolitan Museum of Art, New York, NY
Saint John the Baptist, Jan Crocq (Netherlandish, act. 1486–1510)
Saint John the BaptistJan Crocq (Netherlandish, act. 1486–1510)c. 1500Cleveland Museum of Art
The Adoration of the Shepherds, Andrea Mantegna
The Adoration of the ShepherdsAndrea Mantegnashortly after 1450Metropolitan Museum of Art, New York, NY
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French)
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

695
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of Firdausi, Iran
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of FirdausiIranSafavid dynasty (1501–1722), about 1550The Art Institute of Chicago
0.87
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom), Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
0.87
Picnic in the Mountains; Single Page Illustration, Muhammadi (Iranian)
Picnic in the Mountains; Single Page IllustrationMuhammadi (Iranian)c. 1550–1600Cleveland Museum of Art
0.86
The House of Bijapur, Kamal Muhammad
The House of BijapurKamal Muhammadca. 1680Metropolitan Museum of Art, New York, NY
0.86
Sleeping Youth (verso), Illustration from a Single Page Manuscript, Riza-yi Abbasi (Iranian)
Sleeping Youth (verso), Illustration from a Single Page ManuscriptRiza-yi Abbasi (Iranian)early 1600sCleveland Museum of Art
0.85
Left side of a double-page album folio: Outside a Royal Encampment (recto), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art
0.85

Next

Made in the fifteenth century, like Khusrau and Shirin.

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