The Abduction of Rebecca — Eugène Delacroix, 1846

The Abduction of Rebecca, Eugène Delacroix

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Battles, Men, Women, Horses
Wikidata depicts: woman, man, battle, equestrianism

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Rights

Credit: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1903
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 438814 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/438814

Also by Eugène Delacroix

15

Political and Satirical Sketches, after Cruikshank, Eugène Delacroix — Political and Satirical Sketches, after CruikshankEugène Delacroix1819–21Metropolitan Museum of Art, New York, NY

Ecorché: Torso of a Male Cadaver, Eugène Delacroix — Ecorché: Torso of a Male CadaverEugène Delacroix1828?Metropolitan Museum of Art, New York, NY

The Natchez, Eugène Delacroix — The NatchezEugène Delacroix1823–24 and 1835Metropolitan Museum of Art, New York, NY

Sheet of Sketches, Eugène Delacroix — Sheet of SketchesEugène Delacroix1826The Art Institute of Chicago

The Combat of the Giaour and Hassan, Eugène Delacroix — The Combat of the Giaour and HassanEugène Delacroix1826The Art Institute of Chicago

Crouching Woman, Eugène Delacroix — Crouching WomanEugène Delacroix1827The Art Institute of Chicago

Jane Shore, Eugène Delacroix — Jane ShoreEugène Delacroix1828The Art Institute of Chicago

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix — Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix1832Metropolitan Museum of Art, New York, NY

Within fifty years of 1846

4012

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828) — Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Saint Ambrose, Francisco de Goya (Spanish, 1746–1828) — Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art

Women Beside a Stream Chasing Fireflies, Chōbunsai Eishi (Japanese, 1756–1829) — Women Beside a Stream Chasing FirefliesChōbunsai Eishi (Japanese, 1756–1829)c. 1796–97Cleveland Museum of Art

Interior of Temple of Glory and Figured Details, Giuseppe Barberi, Italian, 1746–1809 — Interior of Temple of Glory and Figured DetailsGiuseppe Barberi, Italian, 1746–1809ca. 1796-1801Cooper Hewitt, Smithsonian Design Museum

Title page of a book, Giuseppe Barberi, Italian, 1746–1809 — Title page of a bookGiuseppe Barberi, Italian, 1746–1809October 1796Cooper Hewitt, Smithsonian Design Museum

Chandeliers ou Flambeaux et Couteaux de Table, Richard de Lalonde, French, active 1780–96 — Chandeliers ou Flambeaux et Couteaux de TableRichard de Lalonde, French, active 1780–961796Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

478

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Lion Hunt, Eugène Delacroix — Lion HuntEugène Delacroix1860–61The Art Institute of Chicago

0.89

The Battle of Vercellae, Giovanni Battista Tiepolo — The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY

0.87

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán — Battle between Christians and Muslims at El SotilloFrancisco de Zurbaránca. 1637–39Metropolitan Museum of Art, New York, NY

0.87

The Combat of the Giaour and Hassan, Eugène Delacroix — The Combat of the Giaour and HassanEugène Delacroix1826The Art Institute of Chicago

0.85

The Triumph of Henry IV, Peter Paul Rubens — The Triumph of Henry IVPeter Paul Rubensca. 1630Metropolitan Museum of Art, New York, NY

0.85

Arab Horseman Attacked by a Lion, Eugène Delacroix — Arab Horseman Attacked by a LionEugène Delacroix1849–50The Art Institute of Chicago

0.85

The Agony in the Garden, Nicolas Poussin — The Agony in the GardenNicolas Poussin1626–27Metropolitan Museum of Art, New York, NY

0.85

The Tomb of Nero, Giovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850) — The Tomb of NeroGiovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850)1747–48Cleveland Museum of Art

0.84

Next

Eugène Delacroix made The Abduction of Rebecca, and made these too.

Sunset1845
Basket of Flowers1848
Arab Horseman Attacked by a Lion1849
Study for Marphise and the Mistress of Pinabel1852

Made in the nineteenth century, like The Abduction of Rebecca.

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