
The Glorification of the Barbaro Family — Giovanni Battista Tiepoloca. 1750Also by Giovanni Battista Tiepolo
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Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art
The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY
The Triumph of MariusGiovanni Battista Tiepolo1729Metropolitan Museum of Art, New York, NY
Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago
Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago
A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of ChicagoWithin fifty years of ca. 1750
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Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733)Unknownca. 1720Metropolitan Museum of Art, New York, NY
Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum
Ornamental Panel, plate 33, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier)Juste-Aurèle Meissonnier, French, b. Italy, 1695–17501695–1750Cooper Hewitt, Smithsonian Design Museum
Praxis exercitiorum spiritualium P.N.S. IgnatiiIzquierdo, Sebastián1695Stiftung der Werke von C.G.Jung, Zürich, online
Title PageFrançois II de Poilly, French, 1666 – 17411696–1740Cooper Hewitt, Smithsonian Design Museum
Antonii van Dale ... Dissertationes de origine ac progressu idololatriae et superstitionum: de vera ac falsa prophetia; uti et de divinationibus idololatricis JudaeorumDale, Antonius van1696Stiftung der Werke von C.G.Jung, Zürich
Design for Staircase, Voorst Castle, The Hague, NetherlandsIsaac de Moucheron, Dutch, 1667–17441697–1700Cooper Hewitt, Smithsonian Design Museum
Hyacinthe RigaudGérard Edelinck1698The Art Institute of ChicagoAlso at Metropolitan Museum of Art, New York, NY
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Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Giovanni Battista Tiepolo made The Glorification of the Barbaro Family, and made these too.
Made in the eighteenth century, like The Glorification of the Barbaro Family.